-=>[INTRO] (and Vamp between each 12-Bar "Verse")--
(G7)
e| ||-------------------------------||
B| ||-------------------------------||
G| ||o---0-----0-----0-----0-------o||
D| ||o---0-----2-----3-----2-------o||
A| ||-------------------------------||
E| ||----3---3---3---3---3---3------||
1 & & 2 & &
-=>[VERSE] (12-Bar Blues)--
@ Measures 1-4::
G7 G13/11 G9 G13/11 [4x]
e| ||-----------------.--------------------.--------||
B| ||----3------------5------6=======------5--------||
G| ||o---3h4p3h4p3h4--5------7=======------5-------o||
D| ||o---3------------5------7=======------5-------o||
A| ||-----------------------------------------------||
E| ||----===trill===--------------------------------||
1 & & 2 & &
@ Measures 5-6::
C13/11 C C13/11 CM7[*] C13/11 C C13/11 C
e| |---------------.-----------------.--|---------------.-----------------.--|
B| |---3======-----5-----6======-----8--|---6======-----5-----3======-----5--|
G| |---3======-----5-----7======-----9--|---7======-----5-----3======-----5--|
D| |---3======-----5-----7======-----9--|---7======-----5-----3======-----5--|
A| |------------------------------------|------------------------------------|
E| |------------------------------------|------------------------------------|
1 & & 2 & & 1 & & 2 & &
[variation for C measures: ||: --333- --555- --677- --555- :|| 2x
(i.e., same as G7 measure, without the major 3rd)]
[*sic: whole "C" chordal series better considered as Gm-type chords...]
@ Measures 7-8 (G7...): a` la measures 1-4, but only 2ce thru...
@ Measures 9-10::
D7#9 Eb7#9 D7#9
e| |------------------------------------|------------------------------------|
B| |---------------------6============--|---7============-----6============--|
G| |---------------------5============--|---6============-----5============--|
D| |---------------------4============--|---5============-----4============--|
A| |---5=====------5============-----5--|---6============-----5============--|
E| |------------------------------------|------------------------------------|
1 & & 2 & & 1 & & 2 & &
@ Measures 11-12::
G7/11 GM6/9[G13] G7/11 G7/6[*]
e| |---1============-----3============--|---1============-----0============--||
B| |---1============-----3============--|---1============-----0============--||
G| |---0============-----2============--|---0============--------------------||
D| |------------------------------------|---------------------3============--||
A| |------------------------------------|------------------------------------||
E| |---3======-----3-----3======-----3--|---3======-----3-----3======-----3--||
1 & & 2 & & 1 & & 2 & &
[* or: 3-345-]
--SEQUENCE: Intro--||: Verse--Intro :||--Verse(fade out)--
-=>Miles' "head"-ish LEAD over the twelve-bar pretty easy to follow on
the guitar, especially if yu' start at the VIIth position, e.g.--
(G7)
e| ||-----|--7============------|--7---8-7========----------------------|
B| ||-----|---------------------|---------------------------------------|
G| ||--/7-|------------------/7-|------------------------------- tcg ---|
D| ||-----|---------------------|------------------------------- '94 ---|
A| ||-----|---------------------|---------------------------------------|
E| ||-----|---------------------|---------------------------------------|
& 1 & & 2 & & 1 & & 2
--but then, this is JAZZ, 'n'you're supPOSED to improvize yourself! . . .
(but a final note: if you're playin' as "slow & tasty" as Miles himself
does over some sections, Wes-style octaves are awfully nice. . . .)
************************************
| h Hammer-on
| p Pull-off
| / Slide up
| = Hold note
************************************
