x#----------------------------------PLEASE NOTE---------------------------------# #This file is the author's own work and represents their interpretation of the # #song. You may only use this file for private study, scholarship, or research. # #------------------------------------------------------------------------------# # Path: hydra.acs.ttu.edu!hermes.chpc.utexas.edu!cs.utexas.edu!not-for-mail From: [email protected] Newsgroups: alt.guitar.tab Subject: TAB: Sally Goodin w/Texas-style accompaniment Date: 15 Dec 1993 14:55:12 -0600 Organization: UTexas Mail-to-News Gateway Lines: 111 Sender: [email protected] Message-ID: NNTP-Posting-Host: cs.utexas.edu Hi Here's TAB for Sally Goodin, a traditional fiddle tune, and a Texas-style/Western Swing accompaniment for it. This is from the article "Swinging With Sally Goodin" by Jim Wood, from the Sept/Oct 1990 issue of Acoustic Guitar magazine. I have TABbed the melody as if it were played in G. The accompaniment is in A, though, so you'll have to capo at the second fret to make the melody work with the accompaniment. It's in 2/4. So each "|" above the staff represents an eighth note. Sally Goodin (traditional) arr. Jim Wood, TAB by Bo Parker [email protected] Melody: (Don't worry about the chord symbols - fingerings are given below. D#o7 means D# diminished 7th.) A A9/C# D D#o7 A A#o7 Bm7 E7 | | | | | | | | | | | | | | | | |-----------------|-----------------|-----------------|-----------------| |---0---0---------|---0-------------|---0---0---------|-----------------| |-0---2---0---0-0-|-0---2-0---0-0-0-|-0---2---0-2-0---|-----------0-0-0-| |-----------------|---------2-------|---------------2-|-0---0-0-2-------| |-----------------|-----------------|-----------------|-----------------| |-----------------|-----------------|-----------------|-----------------| | A A9/C# D D#o7 E7 F#m E7/G# A | | | | | | | | | | | | | | | | |-----------------|-----------------|-----------------|-----------------| |---0---0---------|---0-------------|---0---0---------|-----------------| |-0---2---0---0-0-|-0---2-0---0-0-0-|-0---2---0-2-0---|-----------0-0-0-| |-----------------|---------2-------|---------------2-|-0---0-0-2-------| |-----------------|-----------------|-----------------|-----------------| |-----------------|-----------------|-----------------|-----------------| A A7/G D/F# Dm/F A/E D#o7 E7/D E7/B | | | | | | | | | | | | | | | | |-----------------|---3-0-----------|---3-0-----------|-----------------| |-----0-1-3---3-3-|-3-----3-0-3-3-3-|-3-----3-0-------|-----------------| |-0-2-------------|-----------------|-----------2-0---|-----------0-0-0-| |-----------------|-----------------|---------------2-|-0---0-0-2-------| |-----------------|-----------------|-----------------|-----------------| |-----------------|-----------------|-----------------|-----------------| A A9/C# D D#o7 E7 E7/B E7/G# A | | | | | | | | | | | | | | | | |-----------------|---3-0-----------|---3-0-----------|-----------------| |-----0-1-3---3-3-|-3-----3-0-3-3-3-|-3-----3-0-------|-----------------| |-0-2-------------|-----------------|-----------2-0---|-----------0-0-0-| |-----------------|-----------------|---------------2-|-0---0-0-2-------| |-----------------|-----------------|-----------------|-----------------| |-----------------|-----------------|-----------------|-----------------| OK - now the accompaniment. Note the nice walking bass lines. The whole thing is done bass-strum, bass-strum, etc. A A9/C# D D#o7 A A#o7 Bm7 E7 | | | | | | | | | | | | | | | | |-----------------|-----2-------2---|-----------------|-----2-------0---| |-----2-------5---|-----3-------1---|-----2-------2---|-----3-------0---| |-----2-------4---|-----2-------2---|-----2-------0---|-----2-------1---| |-----2-------5---|-0-------1-------|-----2-------2---|----(0)------0---| |-0-------4-------|-----------------|-0-------1-------|-2-----------2---| |-----------------|-----------------|-----------------|---------0-------| A A9/C# D D#o7 E7 F#m E7/G# A | | | | | | | | | | | | | | | | |-----------------|-----2-------2---|-----3-------5---|-----7-------5---| |-----2-------5---|-----3-------1---|-----3-------5---|-----5-------5---| |-----2-------4---|-----2-------2---|-----4-------6---|-----7-------6---| |-----2-------5---|-0-------1-------|-2-------4-------|-6-------7-------| |-0-------4-------|-----------------|-----------------|-----------------| |-----------------|-----------------|-----------------|-----------------| A A7/G D/F# Dm/F A/E D#o7 E7/D E7/B | | | | | | | | | | | | | | | | |-----5-------5---|-----------------|-----------------|-------------0---| |-----5-------5---|-----7-------6---|-----5-------7---|-----5-------0---| |-----6-------6---|-----7-------7---|-----6-------5---|-----4-------1---| |-7-------5-------|-----7-------7---|-----7-------7---|-----6-------0---| |-----------------|-9-------8-------|-7-------6-------|-5-------2-------| |-----------------|-----------------|-----------------|-----------------| A A9/C# D D#o7 E7 E7/B E7/G# A | | | | | | | | | | | | | | | | |-----------------|-----2-------2---|-----------------|-----------------| |-----2-------5---|-----3-------1---|-----5-------5---|-----3-------2---| |-----2-------4---|-----2-------2---|-----7-------7---|-----4-------2---| |-----2-------5---|-0-------1-------|-----6-------6---|-----2-------2---| |-0-------4-------|-----------------|-7---------------|---------0-------| |-----------------|-----------------|---------7-------|-4---------------| Enjoy! See ya -Bo Parker [email protected] I do not speak for my employer, whoever that is. ``Squid eating dough in a polyethylene bag is fast & bulbous.'' ``Got me?''
