#----------------------------------PLEASE NOTE---------------------------------# #This file is the author's own work and represents their interpretation of the # #song. You may only use this file for private study, scholarship, or research. # #------------------------------------------------------------------------------# CIRCLES As recorded by Pain Of Salvation (From the 1997 Album ENTROPIA) Transcribed by Luca Abete ([email protected]) Music by D.Gildenlow Gtr I (E A D G B E) - 'Acoustic 1' Gtr II (E A D G B E) - 'Acoustic 2' Bass Q=175 Q=170H.=H Q=105H=H 4/4 2/4 Gtr I Wx14 Q H. H H H |-------------|------------|-----------|------| |-------------|------------|-----------|------| |-------------|------------|-----------|------| |-------------|------------|-----------|------| |-------------|------------|-----------|------| |-------------|------------|-----------|------| Guitar Arpeggio 0:24 Q=136 Dmadd9add11 7/8 Gtr I E E E E E E E E E E E E E E E E E E E E E E E E E E E E |---------0-----|---------0-----|---------0-----|---------0------| |-----6-8---6---|-----6-8---6---|-----6-8---6---|-----6-8---6----| |---7---------7-|---7---------7-|---7---------7-|---7---------7--| |-8-------------|-8-------------|-7-------------|-7--------------| |---------------|---------------|---------------|----------------| |---------------|---------------|---------------|----------------| | | Gtr II | E E E E E E E E E E E E E E E E E E E E E E E E E E E E |-------0-------|-------0-------|-------0-------|-------0--------| |-----6---8-----|-----6---8-----|-----6---8-----|-----6---8------| |---7-------7---|---7-------7---|---7-------7---|---7-------7----| |-8-----------8-|-8-----------8-|-7-----------7-|-7-----------7--| |---------------|---------------|---------------|----------------| |---------------|---------------|---------------|----------------| C6add11 Dmadd9add11 6/8 7/8 6/8 E E E E E E E E E E E E E E E E E E E E E E E E E E |-----------0-----|---------0---|---------0-----|---------0----| |------8------8---|-----6-8---6-|-----6-8---6---|-----6-8---6--| |----9---10-----9-|---7---------|---7---------7-|---7----------| |-10--------------|-8-----------|-7-------------|-7------------| |-----------------|-------------|---------------|--------------| |-----------------|-------------|---------------|--------------| | | E E E E E E E E E E E E E E E E E E E E E E E E E E |------0------0---|-------0-----|-------0-------|-------0------| |---------3-------|-----3---1---|-----6---8-----|-----6---8----| |----5------5-----|---3-------3-|---7-------7---|---7-------7--| |--5------------5-|-3-----------|-7-----------7-|-7------------| |-----------------|-------------|---------------|--------------| |-----------------|-------------|---------------|--------------| Dmadd9add11 7/8 E E E E E E E E E E E E E E E E E E E E E E E E E E E E |---------0-----|---------0-----|---------0-----|---------0------| |-----6-8---6---|-----6-8---6---|-----6-8---6---|-----6-8---6----| |---7---------7-|---7---------7-|---7---------7-|---7---------7--| |-8-------------|-8-------------|-7-------------|-7--------------| |---------------|---------------|---------------|----------------| |---------------|---------------|---------------|----------------| | | E E E E E E E E E E E E E E E E E E E E E E E E E E E E |-0-------------|-0-------------|-0-------------|-0--------------| |---6-----8-----|---6-----8-----|---6-----8-----|---6-----8------| |-----7-----7---|-----7-----7---|-----7-----7---|-----7-----7----| |-------8-----8-|-------8-----8-|-------7-----7-|-------7-----7--| |---------------|---------------|---------------|----------------| |---------------|---------------|---------------|----------------| H.=H Q=90H=H C6add11 6/8 4/8 E E E E E E E E E E E E E E E E E |-----------0-----|---------0---|-----0---|| |------8------8---|-----6-8---6-|-------6-|| |----9---10-----9-|---7---------|---7-----|| |-10--------------|-8-----------|-8-------|| |-----------------|-------------|---------|| |-----------------|-------------|---------|| | | E E E E E E E E E E E E E E E E E |------0------0---|-------0-----|---------|| |---------3-------|-----3---1---|-----1---|| |----5------5-----|---3-------3-|---3---3-|| |--5------------5-|-3-----------|-3-------|| |-----------------|-------------|---------|| |-----------------|-------------|---------|| Q=120 H.=H Q=60 A Bm7add11 4/4 2/4 E E E E E E E E E E E E E E Q +H |-------0---------|---------5------|--------*| |-----5---5-------|-------3---3----|--------*| |---6-------6---6-|-----2-------2--|-(2)----*| |-7-----------7---|---4------------|--------*| |-----------------|-2--------------|--------*| |-----------------|----------------|--------*| | | E E E E E E E E E E E E E E Q +H |-------0---------|-------0--------|--------*| |-----2---2-------|-----3---3------|--------*| |---2-------2---2-|---2-------2----|--------*| |-2-----------2---|-4-----------4--|-(4)----*| |-----------------|----------------|--------*| |-----------------|----------------|--------*| Duration Legend --------------- W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura + - note tied to previous; . - note dotted; .. - note double dotted Uncapitalized letters represent notes that are staccato (1/2 duration) Irregular groupings are notated above the duration line Duration letters will always appear directly above the note/fret number it represents the duration for. Duration letters with no fret number below them represent rests. Multi- bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low melody durations appear below the staff Tablature Legend ---------------- h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (if no number after the r, then release immediately) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash Misc Legend ----------- | - bar || - double bar ||o - repeat start o|| - repeat end *| - double bar (ending) : - bar (freetime) $ - Segno & - Coda Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths
