歌手头像-Man or Astro-man?

Special Agent Conrad Uno

音乐人: Man or Astro-man?

供谱者:wexman
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#

Tabbed by Brian (Ansigod) McCall  3/28/96

SPECIAL AGENT CONRAD UNO - by Man...or Astro-man?
======= ===== ====== ===   available on Project Infinity, Live
                           Transmissions from Uranus, and Your
                           Weight on the Moon.

*1

[pick slide]

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                                                  cracendo (sp?)^

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*2

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|-1-1-1-2-2-2-3-3-4-4-4-5-5-5-6-6-7-7-7-7-7-7-7-7....---------------|
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*3

|-------------------------------/12-12-12-12-12-12------------------|
|-------------------------------/12-12-12-12-12-12------------------|
|-------------------------------/12-12-12-12-12-12------------------|
|-2--2-2--2-2-------------------------------------------------------|
|-------------0-2/3-2-0---------------------------------------------|
|-----------------------3-0--0--------------------------------------|

|-------------------------------/12-12-12-12-12-12------------------|
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|-------------------------------/12-12-12-12-12-12------------------|
|-2--2-2--2-2-------------------------------------------------------|
|-------------0-2/3-2-0---------------------------------------------|
|-----------------------3-0--0--------------------------------------|

|------------------------------/5-5-5-5-5-5-------------------------|
|------------------------------/5-5-5-5-5-5-------------------------|
|-2--2-2--2-2------------------/5-5-5-5-5-5-------------------------|
|-------------0-2/3-2-0---------------------------------------------|
|-----------------------3-0--0--------------------------------------|
|-------------------------------------------------------------------|

|-------------------------------/12-12-12-12-12-12------------------|
|-------------------------------/12-12-12-12-12-12------------------|
|-------------------------------/12-12-12-12-12-12------------------|
|-2--2-2--2-2-------------------------------------------------------|
|-------------0-2/3-2-0---------------------------------------------|
|-----------------------3-0--0--------------------------------------|

*5

|-6-6-6-6-6-6-6-6-----------------------------6-6-6-6-6-8-6-6-6-6-6-|
|-6-6-6-6-6-6-6-6-----------------------------6-6-6-6-6-8-6-6-6-6-6-|
|-7-7-7-7-7-7-7-7-----------------------------7-7-7-7-7-9-7-7-7-7-7-|
|-8-8-8-8-8-8-8-8-----2--2--2-2-2-2--2--2-2-2-8-8-8-8-8-108-8-8-8-8-|
|-8-8-8-8-8-8-8-8-...-2--2--2-2-2-2--2--2-2-2-8-8-8-8-8-108-8-8-8-8-|
|---------------------0--0--0-0-0-0--0--0-0-0-----------------------|

|-8-6-6-6-6-6-----8-6-6-6-6-6-6--------------------------------------|
|-8-6-6-6-6-6-----8-6-6-6-6-6-6--------------------------------------|
|-9-7-7-7-7-7-----9-7-7-7-7-7-7--------------------------------------|
|-108-8-8-8-8-----108-8-8-8-8-8-2--2-2-------------------------------|
|-108-8-8-8-8-...-108-8-8-8-8-8-2--2-2-------------------------------|
|-------------------------------0--0-0---1///2///3///...12///13///14-|//...

|-----------------------------------12///13///....24///...*---\\\-0-|
|-----------------------------------12///13///....24///...*---\\\-0-|
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|----------------15///16///17///...-------------------------------0-|
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|-17///18///19///---------------------------------------------------|

* once you reach the end of your fretboard...don't stop there!  Keep
  on moving up your strings and keep picking!  Go almost all the way
  to your bridge then come back down.  Use your fingernails if the
  strings don't ring well.

(Project Infinity has a Peter Gunn cover thrown in here)

*6

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|-8-8-8-8-8-8-8----5--5--5-5-5-5--5---------------------------------|
|-6-6-6-6-6-6-6...-3--3--3-3-3-3--3---------------------------------|
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repeat *2

*7 palm muting mostly

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repeat *1 and *2.  End on open E.
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