Mellon Collie and The Infinate Sadness album - Smashing Pumpkins NOTE: DO NOT PRINT THIS FROM THE INTERNET as it is approx. 65 pages long. It's best to save it on a floppy on your hard drive and then to print the sections you want. This file was put together by CyberBry ([email protected]). BUT, all credit should be givin to the author of chords/tab for each song. I did NOT write all of this tab! Most of it is from OLGA. SONG LIST: Mellon Collie and The Infinate Sadness Tonight, Tonight Jellybelly Zero Here Is No Why Bullet With Butterfly Wings To Forgive (Fuck You) An Ode to No One Love Cupid de Locke Galapogos Muzzle Porcelina of The Vast Oceans Take Me Down Where Boys Fear to Tread Bodies Thirty-Three In the Arms of Sleep 1979 Tales ofa Scorched Earth Thru the Eyes of Ruby Stumbleine x.y.u. We Only Come out at Night Beautiful Lily (my one and only) By Starlight Farewell and Goodnight MELLON COLLIE AND THE INFINATE SADNESS TRANSCRIBED BY ADAM MORRIS DO NOT overlook this TAB just because it a piano song, it is GREAT fun to play!! I have completed the TAB after MANY requests to do so, so...enjoy! This was NOT an easy task, I can assure you of that!! Some piano chords do not convert well to guitar! TUNING: 1/2 step down, dropped D (actually Db), with capo on 2nd fret. The 3rd fret now becomes the 1st fret etc. (this is just to be consistent with the half step down thing) Piano arranged for guitar E |----------0-0--3-1-0-1-0--------| B |-1--------1-1--------3---3-1----| G |-0------0-0-0--------2-----x--2-| D |-2----2---2-2--------0-----3----| A |-3--3-----3-3--------------3----| D |--------------------------------| |----------0-0--3-1-0-1-0--------| |-1--------1-1--------3---3-1----| |-0------0-0-0--------2-----x--2-| |-2----2---2-2--------0-----3----| |-3--3-----3-3--------------3----| |--------------------------------| |-1--0------------------------0--| |-x-----3--1-----1--------1-3----| |-3--------x--2--0------0--------| |-3--------3-----2----2----------| |-1--------3-----3--3------------| |--------------------------------| |--------------------------------| |-6--5--3--1--1------------3-1---| |-0-----0--x--2--0-------0-----3-| |-0--------3-----1-----1---------| |-x--------3-----1---1-----------| |-5--------------1-1-------------| |--------------------------------| |-1----1--3--6-------------3-1---| |-2----2--3--3--3------3-5-----3-| |-x-------0-----5----5-----------| |-3--3----------5--5-------------| |--------------------------------| |--------------------------------| |-1----1--3--6-------------3-1---| |-2----2--3--3--3------3-5-----3-| |-x-------0-----5----5-----------| |-3--3----------5--5-------------| |--------------------------------| |--------------------------------| |-1----1--3--6-------------3-1---| |-2----2--3--3--3------3-5-----3-| |-x-------0-----5----5-----------| |-3--3----------5--5-------------| |--------------------------------| |--------------------------------| |-1---------1--------------------| |-2------2----3-2-0------0--3-2--| |-3----3----------1----1--------3| |-3--3------------1--1-----------| |--------------------------------| CELLO ENTERS E |----------0-0--3-1-0-1-0--------| B |-1--------1-1--------3---3-1----| G |-0------0-0-0--------2-----x--2-| D |-2----2---2-2--------0-----3----| A |-3--3-----3-3--------------3----| D |--------------------------------| |----------0-0--3-1-0-1-0--------| |-1--------1-1--------3---3-1----| |-0------0-0-0--------2-----x--2-| |-2----2---2-2--------0-----3----| |-3--3-----3-3--------------3----| |--------------------------------| |-1--0------------------------0--| |-x-----3--1-----1--------1-3----| |-3--------x--2--0------0--------| |-3--------3-----2----2----------| |-1--------3-----3--3------------| |--------------------------------| |----------------------------0---| |--------1---3-1---------1-3-----| |-3----x-2-----0-------0---------| |-3-2--x-3-----2-----2-----------| |-1------3-----3---3-------------| |--------------------------------| |----------------------------0---| |--------1---3-1---------1-3-1---| |-3----x-2-----0-------0---0-----| |-3-2--x-3-----2-----2-----------| |-1------3-----3---3-------------| |--------------------------------| |----------------------------0---| |--------1---3-1---------1-3-1---| |-3----x-2-----0-------0---0-----| |-3-2--x-3-----2-----2-----------| |-1------3-----3---3-------------| |--------------------------------| |-1-0----------------------------| |-3-3---1------------------3-1---| |-x-----2---2--0---------0-----3-| |-0-----3---3--1-------1---------| |-------3------1-----1-----------| |--------------1---1-------------| |--------------------------------| |-1----1--3--6-------------3-1---| |-2----2--3--3--3------3-5-----3-| |-x-------0-----5----5-----------| |-3--3----------5--5-------------| |--------------------------------| |--------------------------------| |-1----1--3--6-------------3-1---| |-2----2--3--3--3------3-5-----3-| |-x-------0-----5----5-----------| |-3--3----------5--5-------------| |--------------------------------| |--------------------------------| |-1----1--3--6-------------3-1---| |-2----2--3--3--3------3-5-----3-| |-x-------0-----5----5-----------| |-3--3----------5--5-------------| |--------------------------------| |--------------------------------| |-1--------1---------------------| |-2------2---3-2-0-------0-3-2---| |-x----3---------1-----1-------3-| |-3--3-----------1---1-----------| |------------------1-------------| |----------0-0--3-1-0-1-0--------| |-1--------1-1--------3---3-1----| |-0------0-0-0--------2-----x--2-| |-2----2---2-2--------0-----3----| |-3--3-----3-3--------------3----| |--------------------------------| |----------0-0--3-1-0-1-0--------| |-1--------1-1--------3---3-1----| |-0------0-0-0--------2-----x--2-| |-2----2---2-2--------0-----3----| |-3--3-----3-3--------------3----| |--------------------------------| |-1--0------------------------0--| |-x-----3--1-----1--------1-3----| |-3--------x--2--0------0--------| |-3--------3-----2----2----------| |-1--------3-----3--3------------| |--------------------------------| |--------------------------------| |-6--5--3--1--1------------3-1---| |-0-----0--x--2--0-------0-----3-| |-0--------3-----1-----1---------| |-x--------3-----1---1-----------| |-5--------------1-1-------------| |--------------------------------| |------------1-------------------| |-2--------2---3-2--0--------0---| |-0------0----------1------1-----| |-0----0------------1----1-------| |-0--0--------------1--1---------| |--------------------------------| |-3-1-----------------1----------| |-----3-2----------2------3---2--| |-------0--------0---------------| |-------0------0-----------------| |-------0----0-------------------| |---------------19-20------**-----| |-------11-12---------------------| |-4-------------------------------| |-4-------------------------------| |-2-------------------------------| |---------------------------------| *~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~* This whole measure is IMPOSSIBLE to be arranged for guitar because of the difference in number of octaves to a piano. The C is meant to be a low C, but I HAD to arrange it as a high, I am very sorry! ** Impossible note on a guitar. **** Remember that the numbers shown are fret numbers IN RELATION TO THE CAPO! The dot on the 3rd fret becomes the 1st fret in the tab fret. As you can probably tell, this TAB was not an easy task for me to work out and transcribe, so..... PLEASE tell me what you think!!! Adam [email protected] TONIGHT, TONIGHT performed by the Smashing Pumpkins from the album Mellon Collie and the Infinite Sadness tabbed by [email protected] Unfortunately, my orchestral string ensemble is in the shop right now, so i couldn't tab out that part :> Fortunately, this album, Billy was brave and included the lyrics. The bass is also tuned down and plays the theme Cb, Bb, Db in the key of Cb. Key of C flat Chords of magic: eb--3--0---1-----x----| Bb--3--0---1-----3----| Gb--0--0---0-----2----| Db--0--2---2-----0----| Ab--2--2---3-----x----| Eb--3--x---x-----x----| G Em Cadd9 D The fingerpicking part for the verses: repeat a few times eb------------------------------------------------------ | Bb-----0--------0--------0-----0--------0--------0------o| Gb--------0--------0--------------0--------0------------ | Db-----------0--------0--------------0--------0--------- | Ab--3-----------------------5---------------------------o| Eb------------------------------------------------------ | t r m i r m i r t r m i r m i r t: thumb, r: ring, m: middle, i: index The rythm part: G Em G Em Cadd9 G D Cadd9 G D Cadd9 G D G time is never time at all you can never ever leave without leaving a piece of youth and our lives are forever changed we will never be the same the more you change the less you feel G D Em believe, believe in me, believe (believe) G D Em that life can change, that you're not stuck in vain Cadd9 G D Cadd9 G D we're not the same, we're different tonight Cadd9 G D G tonight, tonight, so bright Cadd9 G D Cadd9 G D G Em tonight, tonight G and you know you're never sure Em but you're sure you could be right if you held yourself up to the light G and the embers never fade in your city by the lake Em the place where you were born G D Em believe, believe in me, believe (believe) G D Em in the resolute urgency of now Cadd9 G D Cadd9 G D and if you believe there's not a chance tonight Cadd9 G D G Cadd9 tonight, tonight, so bright Cadd9 G D G D Em tonight, tonight G Cadd9 G D Em we'll crucify the insincere tonight (tonight) G Cadd9 G D Em we'll make things right, we'll feel it all tonight (tonight) G Cadd9 G D Em we'll find a way to offer up the night tonight G Cadd9 G D Em the indescribable moments of your life tonight G Cadd9 G D Em the impossible is possible tonight (tonight) G Cadd9 believe in me as i believe in you, tonight G D Em tonight, tonight, tonight, tonight... Ok..goodnight Dennis. JELLYBELLY Tabbed by Brian McCall [Db, Ab, Db, Gb, Bb, Eb] [Intro] G1 and G2 heavy distortion |------------------------------------------------------| |------------------------------------------------------| |------------------------------------------------------| |-5p4p0-5p4p0-5p4p0-5p4p0-5p4p0-0----------------------| |-5p4p0-5p4p0-5p4p0-5p4p0-5p4p0-0----------------------| |-5p4p0-5p4p0-5p4p0-5p4p0-5p4p0-0-------------/12~~~\--| |------------------------------------------------------| |------------------------------------------------------| |------------------------------------------------------| |-5p4p0-5p4p0-5p4p0-5p4p0-5p4p0-0----------------------| |-5p4p0-5p4p0-5p4p0-5p4p0-5p4p0-0----------------------| |-5p4p0-5p4p0-5p4p0-5p4p0-5p4p0-0-------------pfbr3----| |------------------------------------------------------| |------------------------------------------------------| |------------------------------------------------------| |-5p4p0-5p4p0-5p4p0-5p4p0-5p4p0-0----------------------| |-5p4p0-5p4p0-5p4p0-5p4p0-5p4p0-0----------------------| |-5p4p0-5p4p0-5p4p0-5p4p0-5p4p0-0-------------/12~~~\--| |------------------------------------------------------| |------------------------------------------------------| |-----------------------------------5/7-X-5-5----------| |-5p4p0-5p4p0-5p4p0-5p4p0-5p4p0-0---5/7-X-5-5-5-5------| |-5p4p0-5p4p0-5p4p0-5p4p0-5p4p0-0---3/5-X-3-3-5-5------| |-5p4p0-5p4p0-5p4p0-5p4p0-5p4p0-0-------------5-5------| |----------------------------------------------------------| |----------------------------------------------------------| |-----5/7-X-5-5---------5/7-X-5-5---------5/7--------------| |-0---5/7-X-5-5-5-5-0---5/7-X-5-5-5-5-0---5/7-5p4p0-5p4p0--| |-0---3/5-X-3-3-5-5-0---3/5-X-3-3-5-5-0---3/5-5p4p0-5p4p0--| |-0-------------5-5-0-------------5-5-0-------5p4p0-5p4p0--|. *1 |------------------------------------------------------| |------------------------------------------------------| |-2--2--5--5------5/7-X-5-5-----2--2--5--5------5/7-X--| |-2--2--5--5--0---5/7-X-5-5-5-5-2--2--5--5--0---5/7-X--| |-0--0--3--3--0---3/5-X-3-3-5-5-0--0--3--3--0---3/5-X--| |-------------0-------------5-5-------------0----------| |------------------------------------------------------| |------------------------------------------------------| |-5-5-----2--2--5--5------5/7-X-5-5-----2--2--5--------| |-5-5-5-5-2--2--5--5--0---5/7-X-5-5-5-5-2--2--5--5-----| |-3-3-5-5-0--0--3--3--0---3/5-X-3-3-5-5-0--0--3--5-----| |-----5-5-------------0-------------5-5----------5-----| *2 (chorus) |--------------------------------------------------------| |-3-------0----------------------------------------------| |-2---5---0-----7---9---11--14-14------------------------| |-0---5---5---X-X-X-X-X-X-X-X--X-------------------------| |-0---3---5---X-5-X-7-X-9-X-12-12------------------------| |-0-------5---X---X---X---X------------------------------| *3 (2nd verse) |------------------------------------------------------| |------------------------------------------------------| |-2--2--5--5--X-7-X-5-X-7-X-5-X------2--2--5-----------| |-2--2--5--5--X-7-X-5-X-7-X-5-X-5-5--2--2--5--5--X-4---| |-0--0--3--3--X-5-X-3-X-5-X-3-X-5-5--0--0--3--5--X-4---| |-------------X---X---X---X---X-5-5-----------5--X-4---| |--------------------------------------------------------| |--------------------------------------------------------| |----------------------2--2--5--5--X-7-X-5-X-7-X-5-X-----| |-X-5-X-7-X-9-X-10-10--2--2--5--5--X-7-X-5-X-7-X-5-X-5-5-| |-X-5-X-7-X-9-X-10-10--0--0--3--3--X-5-X-3-X-5-X-3-X-5-5-| |-X-5-X-7-X-9-X-10-10--------------X---X---X---X---X-5-5-| |------------------------------------------------------| |------------------------------------------------------| |-2--2--5----------------------------------------------| |-2--2--5--5-------------------------------------------| |-0--0--3--5-------------------------------------------| |----------5-------------------------------------------| repeat *2 |----------------------- -------------------| |-X-7-X-5-X-7-X-5-X----- -----4-4-----------| |-X-7-X-5-X-7-X-5-X-5-5- -4-4-4-4-----------| |-X-5-X-3-X-5-X-3-X-5-5- -4-4-2-2-----------| |-X---X---X---X---X-5-5- -4-4---------------| ^repeat until *4 |------------------------------------------------------| |------------------------------------------------------| |-------------4-4--------------------------------------| |-0-0-5-5-4-4-4-4--------------------------------------| |-0-0-5-5-4-4-2-2--------------------------------------| |-0-0-5-5-4-4----...-----------------------------------| then cracendo (sp I'm sure) a-la-Rocket and back to *1 and intro with a few variations I didn't tab. ZERO Tabbed by Brian McCall All guitars tuned to Eb (Eb Ab Db Gb Bb Eb) *1 G1 (G2 enters later) Distortion |---------------------------------------------------------------| |---------------------------------------------------------------| |-5-\4-4---------5-5\4-4---------5-\4-4---------5-3\4-4---------| |-X--X-X---------X-X-X-X---------X--X-X---------X---X-X---------| |-3-\2-2---------3-3\2-2---------3-\2-2---------3-3\2-2---------| |--------0-0-0-0---------0-0-0-0--------0-0-0-0---------0-0-0-0-| ^-----^ ^-----^ ^-----^ ^-------| harmonics* harm. harm. harm. * These harmonics are produced by lightly applying your index finger to the low E and gradually sliding from around fret 1.75 to 4 or so. A good way of looking at this is letting your finger touch the E while setting back up for the C octave chord. *2 |---------------------------------------| |---------------------------------------| |-9-----11----9-----12----11\7--7-------| |-X-----X-----X-----X-----X-----X-------| |-7-----9-----7-----10----9-\5--5-------| |---0-0---0-0---0-0---0-0---------------| ^repeat Put in Es (|022100| or |079900|) in the part that goes: "Emptiness is lovliness and\Lovliness is cleanliness and\ Cleanliness is godliness and\God is empty just like me." *3 (after slide and under solo) G2 |---------------------------------------------------------------| |---------------------------------------------------------------| |---------------5-5\4-4-------------------------5-5\4-4---------| |---------------X-X---X-------------------------X-X---X---------| |-3-2---2-------3-3\2-2---------3-3-2---2-------3-3\2-2---------| |-----3---0-0-0---------0-0-0-0-------3---0-0-0---------0-0-0-0-| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |-3-3-2---2-------2-3-2-2--------------------------------------| |-------3---0-2-3---------0-0-0-0-...and so on-----------------| *4 (You blame yourself...) |--------------------------------------------------------------| |--------------------------------------------------------------| |-9-----9-----9-----9-----11---12------------------------------| |-X-----X-----X-----X-----X----X-------------------------------| |-7-----7-----7-----7-----9----10------------------------------| |---0-0---0-0---0-0---0-0----0----0----------------------------| ^repeat at the end of this riff G2 plays: |--------------------------------------------------------------| |--------------------------------------------------------------| |-9-9-9-111111121212-------------------------------------------| |-X-X-X-X-X-X-X-X-X--------------------------------------------| |-7-7-7-9-9-9-101010-------------------------------------------| |-------------------....on up----------------------------------| Those high sceams (like the end of the above) are the high E on the 24th fret (it's james on his V or flood in the production room). then repeat *1 and that's Zero! HERE IS NO WHY By: The Smashing Pumpkins Tab By: Carlos Bustos Email: [email protected] TUNING: Down half a step Comment: This song contains similar riffs throughout, BUT, the riffs are changed everyonce in a while. I tab'ed it from start to finish to make it easier. [INTRO]: Amaj7, NOT A. ||-x-------------x-------------x------------------------------------------| ||-2-----x-x--x--2-----x-x--x--2-----x-x--x------------------0-----x-x--x-| ||-1-----x-x--x--1-----x-x--x--1-----x-x--x--2h4p2\1-1h2-2/4-1-----x-x--x-| ||-2-----x-x--x--2-----x-x--x--2-----x-x--x------------------2-----x-x--x-| ||-0-----x-x--x--0-----x-x--x--0-----x-x--x------------------2-----x-x--x-| ||-x-----x-x--x--x-----x-x--x--x-----x-x--x------------------0-----x-x--x-| ||-----------x-------------x-------------x-------------------------------| ||-0---------2-----x-x--x--2-----x-x--x--2-----x-x--x------------------0-| ||-1---------1-----x-x--x--1-----x-x--x--1-----x-x--x--2h4p2\1-1h2-2/4-1-| ||-2---------2-----x-x--x--2-----x-x--x--2-----x-x--x------------------2-| ||-2---------0-----x-x--x--0-----x-x--x--0-----x-x--x------------------2-| ||-0--0--3p0-x-----x-x--x--x-----x-x--x--x-----x-x--x------------------0-| ||-------------------| ||-------------------| ||-9/11-9-7-7-7-7-6--| ||-x--x-x-x-7-7-7-7--| ||-7/-9-7-5-5-5-5-7--| ||----------5-5-5-5--| [RIFF A]: ||---x-------------x-------------x-------------x--------------------------| ||---2-----x-x--x--2-----x-x--x--2-----x-x--x--2-----x-x--x--0-----x-x--x-| ||---1-----x-x--x--1-----x-x--x--1-----x-x--x--1-----x-x--x--1-----x-x--x-| ||---2-----x-x--x--2-----x-x--x--2-----x-x--x--2-----x-x--x--2-----x-x--x-| ||---0-----x-x--x--0-----x-x--x--0-----x-x--x--0-----x-x--x--2-----x-x--x-| ||---x-----x-x--x--x-----x-x--x--x-----x-x--x--x-----x-x--x--0-----x-x--x-| The useless ... another day The endless.. death rock boooooy__ ||--------------| ||---0----------| ||---1----------| ||---2----------| ||---2----------| ||---0--0--3p0--| Repeat [RIFF A]: Mascara sure and lipstick lost ... glitter burned by restless thoughts ||-------------------| ||-------------------| ||-9/11-9-7-7-7-7-6--| ||-x--x-x-x-7-7-7-7--| ||-7/-9-7-5-5-5-5-7--| ||----------5-5-5-5--| of being forgotten [NEXT RIFF, this one varies]: Distortion comes in REALLY big here. ||------------------------------------------------------------------------| ||------------------------------------------------------------------------| ||---------------6--6--6------------9-9-9-9-911-9-7-----------------------| ||--4-----4-4-4--7--7--7--2---------x-x-x-x-x-x-x-x-----------------------| ||--4-----4-4-4--7--7--7--2---------7-7-7-7-7-9-7-5-----------------------| ||--2-----2-2-2--5--5--5--0-----------------------------------------------| and in your sad machines ||------------------------------------------------------------------------| ||------------------------------------------------------------------------| ||---------------6--6--6--9---------9-9-9-9-911-9-7-----------------------| ||--4-----4-4-4--7--7--7--9---------x-x-x-x-x-x-x-x-----------------------| ||--4-----4-4-4--7--7--7--7---------7-7-7-7-7-9-7-5-----------------------| ||--2-----2-2-2--5--5--5--------------------------------------------------| you'll forever staaay ||----------------------------------------------------| ||----------------------------------------------------| ||---------------6--6--6------------9/11-9-7-7-7-7-6--| ||--4-----4-4-4--7--7--7--2---------x--x-x-x-7-7-7-7--| ||--4-----4-4-4--7--7--7--2---------7/-9-7-5-5-5-5-7--| ||--2-----2-2-2--5--5--5--0------------------5-5-5-5--| desperate and displeased with whoever you are ||---------x-------------x---------------------------------------------| ||-x-x--x--2-----x-x--x--2-----x-x--x------------------0-----x-x--x--0-| ||-x-x--x--1-----x-x--x--1-----x-x--x--2h4p2\1-1h2-2/4-1-----x-x--x--1-| ||-x-x--x--2-----x-x--x--2-----x-x--x------------------2-----x-x--x--2-| ||-x-x--x--0-----x-x--x--0-----x-x--x------------------2-----x-x--x--2-| ||-x-x--x--x-----x-x--x--x-----x-x--x------------------0-----x-x--x--0-| and you're a star ||--------| ||--------| ||--------| ||--------| ||--------| ||-0--3p0-| [The Amaj7 goes on a little longer here] ||-x-------------x-------------x-------------x-------------x------------| ||-2-----x-x--x--2-----x-x--x--2-----x-x--x--2-----x-x--x--2-----x-x--x-| ||-1-----x-x--x--1-----x-x--x--1-----x-x--x--1-----x-x--x--1-----x-x--x-| ||-2-----x-x--x--2-----x-x--x--2-----x-x--x--2-----x-x--x--2-----x-x--x-| ||-0-----x-x--x--0-----x-x--x--0-----x-x--x--0-----x-x--x--0-----x-x--x-| ||-x-----x-x--x--x-----x-x--x--x-----x-x--x--x-----x-x--x--x-----x-x--x-| Somewhere______ he pulls his hair down over a frowning ||-x-------------------------------------x-------------x-------------x----| ||-2-----x-x--x--0-----x-x--x--0---------2-----x-x--x--2-----x-x--x--2----| ||-1-----x-x--x--1-----x-x--x--1---------1-----x-x--x--1-----x-x--x--1----| ||-2-----x-x--x--2-----x-x--x--2---------2-----x-x--x--2-----x-x--x--2----| ||-0-----x-x--x--2-----x-x--x--2---------0-----x-x--x--0-----x-x--x--0----| ||-x-----x-x--x--0-----x-x--x--0--0--3p0-x-----x-x--x--x-----x-x--x--x----| smile A hidden cannot find the secret ||---------x------------------------------------| ||-x-x--x--2----x-x--x--0-----------------------| ||-x-x--x--1----x-x--x--1-----9/11-9-7-7-7-7-6--| ||-x-x--x--2----x-x--x--2-----x--x-x-x-7-7-7-7--| ||-x-x--x--0----x-x--x--2-----7/-9-7-5-5-5-5-7--| ||-x-x--x--x----x-x--x--0--------------5-5-5-5--| star cannot shine over to you |-Palm Mute-| ||--4-x-x-4-x-x-----------------------------------------------------------| ||--5-x-x-5-x-x-5---5---7---7-----5---------------------------------------| ||--6-x-x-6-x-x-6---6---7---7-----6---------------------------------------| ||--6-x-x-6-x-x-6---6---7---7-----7----------------15b16b15~~-------------| ||--4-x-x-4-x-x-4---4---5---5-----7---------------------------------------| ||--4-x-x-4-x-x-4---4---5---5-----5---------------------------------------| May the king of gloom |-Palm Mute-| ||--4-x-x-4-x-x-----------------------------------------------------------| ||--5-x-x-5-x-x-5---5---7---7-----9---------------------------------------| ||--6-x-x-6-x-x-6---6---7---7-----9----------------13/14-14/16-16~--------| ||--6-x-x-6-x-x-6---6---7---7-----9-----------------x--x--x--x--x---------| ||--4-x-x-4-x-x-4---4---5---5-----7----------------11/12-12/14-14~--------| ||--4-x-x-4-x-x-4---4---5---5-----7---------------------------------------| Be for__ever doooooomed ||------------------------------------------------------------------------| ||------------------------------------------------------------------------| ||---------------6--6--6------------9-9-9-9-911-9-7-----------------------| ||--4-----4-4-4--7--7--7--2---------x-x-x-x-x-x-x-x-----------------------| ||--4-----4-4-4--7--7--7--2---------7-7-7-7-7-9-7-5-----------------------| ||--2-----2-2-2--5--5--5--0-----------------------------------------------| and in your sad machines ||------------------------------------------------------------------------| ||------------------------------------------------------------------------| ||---------------6--6--6--9---------9-9-9-9-911-9-7-----------------------| ||--4-----4-4-4--7--7--7--9---------x-x-x-x-x-x-x-x-----------------------| ||--4-----4-4-4--7--7--7--7---------7-7-7-7-7-9-7-5-----------------------| ||--2-----2-2-2--5--5--5--------------------------------------------------| you'll forever stayyy_________ ||------------------------------------------------------------------------| ||------------------------------------------------------------------------| ||---------------6--6--6------------9-9-9-9-911-9-7-----------------------| ||--4-----4-4-4--7--7--7--2---------x-x-x-x-x-x-x-x-----------------------| ||--4-----4-4-4--7--7--7--2---------7-7-7-7-7-9-7-5-----------------------| ||--2-----2-2-2--5--5--5--0-----------------------------------------------| burning up in speed ||------------------------------------------------------------------------| ||------------------------------------------------------------------------| ||---------------6--6--6------------9/11-9-7-7-7-7-6----------------------| ||--4-----4-4-4--7--7--7--2---------x--x-x-x-7-7-7-7----------------------| ||--4-----4-4-4--7--7--7--2---------7/-9-7-5-5-5-5-7----------------------| ||--2-----2-2-2--5--5--5--0------------------5-5-5-5----------------------| lost inside the dreams of teen machines [interlude leading up to solo]: The useless drag, the empty days the lonely towers of long mistakes to forgotten faces and faded loves sitting still was never enough [SOLO]: Solo, credit goes to [email protected] for this part of the solo thanx a bunch. ||---------------------------------------------------------------------| ||--15b----------------------------------------------------------------| ||-------------------------15b--12h13-12-12h13p12------------------15--|b ||-----16b-13-15-17h18-13~------------------------13h15p13--15p13------| ||---------------------------------------------------------------------| ||---------------------------------------------------------------------| ||--------------------------------------------------------------------| ||--19b---------------------------------------------------------------| ||------15/17\13--------------------13h15p13-12h13p12-13h15-13b12-----| ||---------------15/17\13-13/15/18------------------------------------| ||--------------------------------------------------------------------| ||--------------------------------------------------------------------| |-Palm Mute-| ||--4-x-x-4-x-x-----------------------------------------------------------| ||--5-x-x-5-x-x-5---5---7---7-----5---------------------------------------| ||--6-x-x-6-x-x-6---6---7---7-----6---------------------------------------| ||--6-x-x-6-x-x-6---6---7---7-----7----------------15b16b15~~-------------| ||--4-x-x-4-x-x-4---4---5---5-----7---------------------------------------| ||--4-x-x-4-x-x-4---4---5---5-----5---------------------------------------| and if your giving in(now thats a scream) |-Palm Mute-| ||--4-x-x-4-x-x-----------------------------------------------------------| ||--5-x-x-5-x-x-5---5---7---7-----9---------------------------------------| ||--6-x-x-6-x-x-6---6---7---7-----9----------------13/14-14/16-16~--------| ||--6-x-x-6-x-x-6---6---7---7-----9-----------------x--x--x--x--x---------| ||--4-x-x-4-x-x-4---4---5---5-----7----------------11/12-12/14-14~--------| ||--4-x-x-4-x-x-4---4---5---5-----7---------------------------------------| then your giving uuup ||------------------------------------------------------------------------| ||------------------------------------------------------------------------| ||---------------6--6--6------------9-9-9-9-911-9-7-----------------------| ||--4-----4-4-4--7--7--7--2---------x-x-x-x-x-x-x-x-----------------------| ||--4-----4-4-4--7--7--7--2---------7-7-7-7-7-9-7-5-----------------------| ||--2-----2-2-2--5--5--5--0-----------------------------------------------| cause in your sad machines ||------------------------------------------------------------------------| ||------------------------------------------------------------------------| ||---------------6--6--6--9---------9-9-9-9-911-9-7-----------------------| ||--4-----4-4-4--7--7--7--9---------x-x-x-x-x-x-x-x-----------------------| ||--4-----4-4-4--7--7--7--7---------7-7-7-7-7-9-7-5-----------------------| ||--2-----2-2-2--5--5--5--------------------------------------------------| you'll forever stay ||------------------------------------------------------------------------| ||------------------------------------------------------------------------| ||---------------6--6--6------------9-9-9-9-911-9-7-----------------------| ||--4-----4-4-4--7--7--7--2---------x-x-x-x-x-x-x-x-----------------------| ||--4-----4-4-4--7--7--7--2---------7-7-7-7-7-9-7-5-----------------------| ||--2-----2-2-2--5--5--5--0-----------------------------------------------| burning up in speed ||----------------------------------------------------| ||----------------------------------------------------| ||---------------6--6--6------------9/11-9-7-7-7-7-6--| ||--4-----4-4-4--7--7--7--2---------x--x-x-x-7-7-7-7--| ||--4-----4-4-4--7--7--7--2---------7/-9-7-5-5-5-5-7--| ||--2-----2-2-2--5--5--5--0------------------5-5-5-5--| lost inside the dreams of teen machines ||---------x-------------x------------------------------------------------| ||-x-x--x--2-----x-x--x--2-----x-x--x------------------5~-----------------| ||-x-x--x--1-----x-x--x--1-----x-x--x--2h4p2\1-1h2-2/4--------------------| ||-x-x--x--2-----x-x--x--2-----x-x--x--(slow)-----------------------------| ||-x-x--x--0-----x-x--x--0-----x-x--x-------------------------------------| ||-x-x--x--x-----x-x--x--x-----x-x--x-------------------------------------| BULLET WITH BUTTERFLY WINGS [I (CyberBry) could not find the name of the author of this tab. If it is yours PLEASE e-mail me and tell and proper recognition will be givin] All guitars tuned Eb, Ab, Db, Gb, Bb, Eb "The world is a vampire..." *1 G1 and G2 mid/light distortion |---------------------------------------------------------| |---------------------------------------------------------| |-4-4-4-4-(4)----------2-2-2-2----------------------------| |-4-4-4-4--5--2--2-2-2-2-2-2-2----------------------------| |-2-2-0-2--5--2--2-2-2-0-0-0-0----------------------------| |----------3--0--0-0-0------------------------------------| ^repeat *2 < < |---------------------------------------------------------| |---------------------------------------------------------| |-4-4-4-------------------2---2---------------------------| |-4-4-4-2-2-2-2-2-5-5-5-5-2-2-2-2-------------------------| |-2-2-2-2-2-2-2-2-5-5-5-5-0-0-0-0-------------------------| |-------0-0-0-0-0-3-3-3-3---------------------------------| ^repeat ^ that little "<" is for emphasis. *3 Heavy Distortion!!! |---------------------------------------------------------| |-------------3-(3-3)---------------------------3---------| |-4--4-4------2--2-2-2--2-9\----------4--4-4----2---------| |-4--4-4-5----0--0-0-2--2-9\--5----4--4--4-5----0---------| |-2--2-0-5----0--0-0-0--0-7\--X----2--2--0-5----0---------| |--------3-0--------------0---3------------3-0---...------| ^repeat ^one of the guitars somehow tremolos a G in here...don't ask me :> Chorus ends with: |---------------------------------------------------------| |---------------------------------------------------------| |-------------2-------------------------------------------| |-2---5---4---2-------------------------------------------| |-2---5---4---0-------------------------------------------| |-0---3---2-----------------------------------------------| ^repeated several times after second chorus back to *1... End riff (similar to *3) |---------------------------------------------------------| |---------3-----------------------------------------------| |-4-------2-X-2-------------------------------------------| |-4-X-5---0-X-2-------------------------------------------| |-2-X-5---0-X-0-------------------------------------------| |-----3---------------------------------------------------| add rhythm there as appropriate... you know how I hate to tab out all those rhythm strumms (ie. the end riff)...sorry. TO FORGIVE KEY: p= pull off Tuning: Down 1/2 step ^= bend up intro/verse G5 F#5 Em ----------------------------------------------------------| ----------------------------------------------------------| ----------------------------------------------------------| -----5---5------2----------4---4-------4p2----------------| ---5---5------4---4-0----2---2---2----------2-------------| -3----------2----------0------------0---------0-----------| verse part 2 ----------------------------------------------------------| ----------------------------------------------------------| ----------------------------------------------------------| ----------------------------------------------------------| ------3^--0-----------------------------------------------| --0-------------------------------------------------------| [Chorus] G Asus2 Em(use Em part from intro) holding back the fool again chorus chords EADGBE G- 320003 Asus2-x02200 Any questions or comments email me at [email protected] (FUCK YOU) AN ODE TO NO ONE Tabbed by Brian McCall Eb tuning *1 Heavy distortion, palm muting throughout |---------------------------------------------------------| |---------------------------------------------------------| |---------------------------------------------------------| |---------------------------------------------------------| |---------------------------------------------------------| |-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2...5-5-5-5-5-5-5-5-5-5-5-| |---------------------------------------------------------| |---------------------------------------------------------| |---------------------------------------------------------| |---------------------------------------------------------| |---------------------------------------------------------| |-5-5-5-5-5-5-5-5...2-2-2-2-2-2-2-2-2-2-2-2....5-5-5-5----|.. gradually let off of palm muting |--------------------------------------------------------| |--------------------------------------------------------| |--------------------------------------------------------| |--------------------------------------------------------| |--------------------------------------------------------| |-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2------------------------| *2 |---------------------------------------------------------| |---------------------------------------------------------| |---------------------------------------------------------| |-4-----4-----4-------4-7-4-----4-----4-------4-7-4-----4-| |-4-----4-----4-------4(7)4-----4-----4-------4(7)4-----4-| |-2-0-0-2-0-0-2-0-0-0-2-5-2-0-0-2-0-0-2-0-0-0-2-5-2-0-0-2-| ^repeat |--------------------------------------------------------| |--------------------------------------------------------| |--------------------------------------------------------| |-----2--2-----------------------------------------------| |-----2--2-----------------------------------------------| |-0-0-0--0-----------------------------------------------| back to *1 repeat *2 but add this to the end |--------------------------------------------------------| |--------------------------------------------------------| |-------9------------------------------------------------| |-9-9-X-9----2-------------------------------------------| |-9-9-X-7----2-------------------------------------------| |-7-7-X------0-------------------------------------------| *3 p.m.----------------------------------------------------| |---------------------------------------------------------| |---------------------------------------------------------| |---------------------------------------------------------| |---------------------------------------------------------| |---------------------------------------------------------| |-2-2-2-2-2-2-2-2-2-2-2-2-0h2p0-5~------------------------| ^repeat twice more p.m.----------------------------------------------------| |---------------------------------------------------------| |---------------------------------------------------------| |---------------------------------------------------------| |-------------------------2--2----------------------------| |-------------------------2--2----------------------------| |-2-2-2-2-2-2-2-2-2-2-2-2-0--0----------------------------| *4 (strum to the rhythm) |----------------------------------------------------------| |----------------------------------------------------------| |----------------------------------------------------------| |-4-----4-4-4---4-4-6-6-----7-----9-----11-----------------| |-X-----X-X-X---X-X-X-X-----X-----X-----X--2---------------| |-2-...-2-2-2-0-2-2-4-4-...-5-...-7-...-9--0---------------| |--------------------------------------------------------| |--------------------------------------------------------| |--------------------------------------------------------| |-4-4-----2-2-2-4-4-----2-2-2-4-4-----2-2-2-4-4---2------| |-4-4-----2-2-2-4-4-----2-2-2-4-4-----2-2-2-4-4---2------| |-2-2-----0-0-0-2-2-----0-0-0-2-2-----0-0-0-2-2---0------| p.m.-----------..---------------------------------------| |---------------------------------------------------------| |---------------------------------------------------------| |---------------------------------------------------------| |---------------------------------------------------------| |---------------------------------------------------------| |-2-2-2-2-2-2-2-2...--------------------------------------| slow down....stop. less distortion |--------------------------------------------------------| |--------------------------------------------------------| |-2------------2---------2-------------------------------| |-2--2--4------2--2--4---2--2--4---2---------------------| |-0--2--4------0--2--4---0--2--4---2---------------------| |----0--2--/9\----0--2------0--2---0---------------------| repeat *4 LOVE From: [email protected] (julian nicholls) Tune down half step to flats. G# B E To my mistakes, to my mistakes of cowardice G# B E G# She shimmy shakes, the jimmy jakes of consequence G# B E G# born of the airs and dues, my airs of madness do declare G# B E That it's o.k, it's love E F# It's what you wanted to see, it's who you wanted to be For what you needed to need, she'll make it up G# B C# E Love, love, it's who you know G# B C# E Love, love, it's who you know G# B C# E Love, love, it's who you know G# B C# E Love, love, it's who you know G# B E Machine gun blues, her vacant rush so steel G# B E I'm unaware, lost inside your visions G# B E G# I got mine too over, i got mine and i got you G# B E Cause i know you, you're love E F# It's want you wanted to see, it's who you wanted to be For what you needed to need, she'll make it up G# B C# E Love, love, it's who you know G# B C# E Love, love, it's who you know G# B C# E Love, love, it's who you know G# B C# E Love, love, it's who you know E When i lost my mind, i knew i was in for a long ride (Over the solo play the chords G# B C# E as in the chorus) Solo was tabbed by David Worsely (i stole it) [Solo] |-5-5-5-5-10\-10\-10\-10\-10\-8---8-10\-14\-16\-17\-| \ is a bend |-------------------------------9-------------------| |---------------------------------------------------| |---------------------------------------------------| |---------------------------------------------------| |---------------------------------------------------| |-17-15-------15----19-15----20\-17-| |-------17-15----17-------17--------| |-----------------------------------| |-----------------------------------| |-----------------------------------| |-----------------------------------| |-17-15------------------------------| |-------17-15-12-15-15-17-15-20-full-| |-------------------------------bend-| |------------------------------------| |------------------------------------| |------------------------------------| E F# Can i look up to you as you look down on me E Can i feel in to you as you felt in to me F# I can't help what you see, i can't help but to be For what i needed to need, she'll make it up G# B C# E Love, love, it's who you know G# B C# E Love, love, it's who you know G# B C# E Love, love, it's who you know G# B C# E Love, love, it's who you know (Play G# after the last words of the chorus B E G# Love solves everything, Love Thanks, hope you like it! CUPID DE LOCKE Transcribed by Dietrich Featherston b-bend r-release e-|-----0----------------| B-|--5-----5--4b5r4------| G-|----------------------| D-|----------------------| A-|----------------------| E-|----------------------| This is probably the easiest song I have ever tabbed I just put it here for the sake of putting something on the internet. Marcus Featherston [email protected] [email protected] [email protected] ****************************************************************** **** http://www.interoz.com/usr/marcus/access.exe?marcus **** **** OR **** **** http://www.interoz.com/usr/marcus/marcus.htm **** **** **** **** Guitars, Amps, Astronomy, Pianos, Compilers, **** **** SW Reengineering, Compilers **** ****************************************************************** GALAPOGOS tabbed by Peter Henderson(Saldek) ; Oshawa, Ontario, CANADA TUNING: half step down-Eb Ab Db Bb Gb Eb (verse starts on repeat) RHYTHM FIGURE 1; 1.ain't it.... Eb------------------------------9-----------9--------------------| Bb-------10-----------10----------10----------10-----------10----| Gb----11----11~----11----11~---------11~---------11~----11---11~-| Db-12-----------12-----------12----------12----------12----------| Ab---------------------------------------------------------------| Eb---------------------------------------------------------------| Eb-----------------9----------9--------------------------15-----| Bb-------10----------10---------10~-12-------12-------------12--| Gb----11----11~---------11~------------12-------12----12--------| Db-12-----------12----------12------------12-------12-----------| Ab--------------------------------------------------------------| Eb--------------------------------------------------------------| 2.carve out... Eb----------------------------------------------------------------| Bb--------12--------------10----------10----------10-----------10-| Gb----12~-------12-----11----11~---11----11~---11----11~----11----| Db-12--------12-----12-----------12----------12----------12-------| Ab----------------------------------------------------------------| Eb----------------------------------------------------------------| Eb--------9-----------9-----------9-----------9-----------------| Bb----------10----------10----------10----------10~-12-------12-| Gb-11~---------11~---------11~---------11~-------------12-------| Db-----12----------12----------12----------12-------------12----| Ab--------------------------------------------------------------| Eb--------------------------------------------------------------| ...blanket skies.. ....old oak tree... Eb----------15-----------------|---0--0--0--0--0--0--0--0-------| Bb-------------------12-------:|---10-10-10-10-10-10-10-10------| Gb-12----12-------12-------12--|---11-11-11-11-11-11-11-11------| Db----12-------12-------12-----|12-12-12-12-12-12-12-12-12------| Ab----------------------------:|--------------------------------| Eb-----------------------------|--------------------------------| [Verse 1] (with rhythm figure 1) ain't it funny how we pretend we're still a child softly stolen under our blanket skies Dm(no 3rd) D/F# Em7 G Dm(no 3rd) D/F# and rescue me from me, Em7 G and all that i believe Dm(no 3rd)D/F# Em7 G i.........won't deny the pain Dm(no 3rd)D/F# Em7 i.........won't deny the change G Dm(no 3rd) D/F# Em7 and should i fall from grace here with you G will you leave me too? [Verse 2] (with rhythm figure 1) carve out your heart for keeps in an old oak tree D* D** E* D* and hold me for goodbyes-and whispered lullabyes Dm(no 3rd) D/F# Em7 G Dm(no 3rd) D/F# and tell me i am still Em7 g the man i'm supposed to be Dm(no 3rd)D/F# Em7 G i.........won't deny the pain Dm(no 3rd)D/F# Em7 i.........won't deny the change G Dm(no 3rd) D/F# Em7 and should i fall from grace here with you G Em7 G will you leave me too? Will you leave me too? [Interlude] Eb-------------------------------|------------------| Bb-12\10--7\5--8\7--5\3--7/8~~--:|-----repeat-------| Gb-11\-9--6\4--7\6--4\2--6/7~~---|--------3---------| Db-0---0--0-0--0-0--0-0--0-------|------times-------| Ab------------------------------:|------------------| Eb-------------------------------|------------------| Eb----------------------2-------0----------------------------| Bb-----0---0---0----------0------------or something----------| Gb---2---2---2---2----2-----2-----2---like that..just play---| Db-0----------------0---------0--------around with-----------| Ab---------------------------------------Dm(no 3rd)----------| Eb-----------------------------------------------------------| [Bridge] D5 A5 G5 too late to turn to turn back now, i'm running out of sound A#5 C5 and i am changing, changing D5 A5 G5 and if we died right now, this fool you love somehow A#5 is here with you Dm(no 3rd)D/F# Em7 G i.........won't deny the pain Dm(no 3rd)D/F# Em7 i.........won't deny the change G Dm(no 3rd) D/F# Em7 and should i fall from grace here with you G Em7 G will you leave me too? Will you leave me too? Rhythm Figure one ....end with D* CHORDS; Dm (no 3rd) - X X 0 2 3 0 D/F# - 2 X 0 2 3 X Em7 - 0 2 2 0 3 0 G - 3 2 0 0 3 3 D* (?) - X X 12 11 10 9 D** (?) - X X X 11 10 12 E* (?) - X X X 7 8 9 Well there ya go...if you have any questions, corrections or comments please send them to me....I hope this TAB makes sense for you...And if you know the names for those chords with question marks..please tell me... -- | Fidonet: Peter Henderson 1:229/125 | Internet: [email protected] MUZZLE tabbed by CyberBry [email protected] A G Bm A G Bm i fear that i'm ordinary just like anyone to lie here and die among the sorrows adrift among the days D Bm E for everything i ever said and everything i've ever done is gone and dead D Bm A and all things must surly have to end and great loves will one day have to part i know that i'm meant for this world A G Bm A G Bm my life has been extraordinary blessed and cursed and won time heals but i'm forever by and by the way D Bm E have you ever heard the words i'm singing in these songs? D Bm A it's for the girl i've loved all along could a taste of love be so wrong D Bm A as all things must surely have to end and great loves will one day have to part i know that i'm meant for this world A G Bm A G Bm and in my mind i was floating far above the clouds some children laughed i'd fall for certain for thinking that i'd last forever G Bm A but i knew exactly where i was and i knew the meaning of it all and i knew the distance to the sun and i knew the echo that is love and i knew the secrets in your spires and i knew the emptiness of youth and i knew the solitude of heart and i knew the murmurs of the soul D Bm A and the world is drawn into your hands and the world is etched upon your heart and the world so hard to understand D Bm E is the world you can't live without D Bm A and i knew the silence of the world PORCELINA OF THE VAST OCEANS Tabbed by Brian McCall [Db Ab Db Gb Bb Eb] (Eb tuning down to drop D) *1 G1 Clean |--------------------------------------------------------| |---------0---------------0-----------------0------------| |-----6-----6---6-----6-----6---6------12-----12----12---| |---7---------7-----7---------7-----10-----------10------| |-0-----0---------0-----0---------0-------0--------------| |--------------------------------------------------------| |--------------------------------------------------------| |-----------0--------------------------------------------| |------12-----12----12-----------------------------------| |---10-----------10--------------------------------------| |-0-------0----------------------------------------------| |--------------------------------------------------------| ^repeat... G2 Clean with slight phasing. Lead fill over *1 |------------------------------------0-------------------| |---------------------------------0----------------------| |--------------------------------------------------------| |-11-(/)-14-(\)-9--11--7--9hbr-7-------------------------| |--------------------------------------------------------| |--------------------------------------------------------| *2 (Pre-Chorus) Both guitars Heavy distortion |----------------------------------------------------------| |----------------------------------------------------------| |-11--14---9---11---7/9-9\7--------------------------------| |-X---X----X---X----X---X-X---7-7-7-7-7-7-7-7-10-10-10-10--| |-9---12---7---9----5/7-7\5---7-7-7-7-7-7-7-7-10-10-10-10--| |---0----0---0----0---------0-7-7-7-7-7-7-7-7-10-10-10-10--|. |---------------------------------------------------------------------| |---------------------------------------------------------------------| |-11-11--14-14---9-9---11-11---7/9-9\7--------------------------------| |-X--X---X--X----X-X---X--X----X---X-X---7-7-7-7-7-7-7-7-10-10-10-10--| |-9--9---12-12---7-7---9--9----5/7-7\5---7-7-7-7-7-7-7-7-10-10-10-10--| |------0-------0-----0------0----------0-7-7-7-7-7-7-7-7-10-10-10-10--| |--------------------------------------------------------| |-----------------------------------------0-0------------| |-----------------------------------------0-0------------| |-7-7-7-----------------------------------5-5------------| |-7-7-7...--------------------------------5-5------------| |-7-7-7-7-7-7-7-7-10-10-10-10-10-10-10-10-5-5...---------| Verse is hard to hear, can't figure it out, but it goes: D A C G "And in my mind..." A C G A C *3 (longer pre-chorus) |----------------------------------------------------------| |----------------------------------------------------------| |-11--14---9---11---7/9-9\7--------------------------------| |-X---X----X---X----X---X-X---7-7-7-7-7-7-7-7-10-10-10-10--| |-9---12---7---9----5/7-7\5---7-7-7-7-7-7-7-7-10-10-10-10--| |---0----0---0----0---------0-7-7-7-7-7-7-7-7-10-10-10-10--|. |---------------------------------------------------------------------| |---------------------------------------------------------------------| |-11-11--14-14---9-9---11-11---7/9-9\7--------------------------------| |-X--X---X--X----X-X---X--X----X---X-X---7-7-7-7-7-7-7-7-10-10-10-10--| |-7--7---12-12---7-7---9--9----5/7-7\5---7-7-7-7-7-7-7-7-10-10-10-10--| |------0-------0-----0------0----------0-7-7-7-7-7-7-7-7-10-10-10-10--| |----------------------------------------------------------| |----------------------------------------------------------| |-11--14---9---11---7/9-9\7--------------------------------| |-X---X----X---X----X---X-X---7-7-7-7-7-7-7-7-10-10-10-10--| |-9---12---7---9----5/7-7\5---7-7-7-7-7-7-7-7-10-10-10-10--| |---0----0---0----0---------0-7-7-7-7-7-7-7-7-10-10-10-10--|. |--------------------------------------------------------| |-----------------------------------------0-0------------| |-----------------------------------------0-0------------| |-7-7-7-----------------------------------5-5------------| |-7-7-7...--------------------------------5-5------------| |-7-7-7-7-7-7-7-7-10-10-10-10-10-10-10-10-5-5...---------| *4 Feedback Verse G2 8va (what the hell does that mean anyway?)----| |--------------------------------------------------------| |--------------------------------------------------------| |-/14--------\9------/17------\7------/14-----\9---------| |--------------------------------------------------------| |-/12--------\7------/15------\5------/12-----\7...------| |--------------------------------------------------------| Allow octaves to feedback at different pitches repeat the riffs, and that's Porcelina! TAKE ME DOWN Written and performed by James Iha Transcribed by Adam Morris I have a feeling many of you who were bagging this song earlier have changed your minds. It IS a great song..really grew on me! Anyway, here is my take on how it is played. Tuning: Eb Take note: I have four (kinda 5) different E's in here. Sorry there so many chords, but this is as accurate as I get :) CHORDS USED: E A D G B E - - - - - - E 0 2 2 1 0(0) E(i) 0 2 2 4 2 x (actually E (no 3rd) (add C#) Emaj7 0 2 2 4 4 4 Esus2 0 7 9 9 7 7 A x 0 2 2 2 0 A5 x 0 2 2 x x G#m 4 6 6 4 4 4 G#5 4 6 6 x x x D#\E5 x 6 9 9 x x C#sus2 x 4 6 6 4 4 Bsus2 x 2 4 4 2 2 F#5 2 4 4 x x x Intro: E(i) Emaj7, E(i) Emaj7 E(i) Emaj7 and take me down, to the underground E(i) Emaj7 won't you take me down, to the underground A5 why oh why, there is no light A5 (BASS NOTE: B) and if i can't sleep, can you hold my life Esus2 D#\E5 C#sus2 Bsus2 And Allie_________________ (I know these aren't the lyrics, but this bit is not written in the lyrics) A5 and all i see is you E(i) Emaj7, E(i) Emaj7 E(i) Emaj7 and take my hand, i lost where i began E(i) in my heart i know all of my faults Emaj7 E will you help me understand A and i believe in you G#m you're the other half of me Csus2 (Bass Note: High E) Bsus2 soothe... and heal... A when you sleep, when you dream, Bsus2 Bsus2 Bsus2 i'll be there if you need me, whenever i hear you sing... A5 Emaj7 A Esus2 D#\E5 C#sus2 Bsus2 A5 there is a sun, it'll come, the sun, i hear them call me down Esus2 D#\E5 C#sus2 Bsus2 i held you once, a love that once, and life had just begun A5 and you're all i see... Esus2 D#\E5 C#sus2 Bsus2 and trumpets blew, and angels flew on the other side A5 G#5 and you're all i see, and you're all i'll need F#5 E there's a love that god puts in your heart. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Well...that, I believe, is pretty damn close! Anyone agree/disagree? E-mail me with any comments, improvements, and tab requests! Adam Morris ([email protected]) WHERE BOYS FEAR TO TREAD Transcribed By - [email protected] * Tuned Down - Eb,Ab,Db,Gb,Bb,Eb * This is a pretty easy tune of the new album, throughout the whole song there are only two riffs. I will show the two, and you can figure out the rest for yourself. I have seen other attempts at this song, but I think this is the most accurate. Main Riff of the Whole Song Eb-|--------------------------------------------------------------------| Bb-|--------------------------------------------------------------------| Gb-|--------------------------------------------------------------------| Db-|--------------------------------------------------------------------| Ab-|-3/5---------------3------------------------------------------------| Eb-|------4--4--0-0-0----1--3-3-3-3-3-3-3-3-----------------------------| Second Riff, used in Chorus and at the end Eb-|--------------------------------------------------------------------| Bb-|--------------------------------------------------------------------| Gb-|--------------------------------------------------------------------| Db-|-3-3-3-3---3-3-3--3-3-3-3-3-5-4-------------------------------------| Ab-|-3-3-3-3---3-3-3--3-3-3-3-3-5-4-------------------------------------| Eb-|-1-1-0-1---1-0-1--1-1-1-1-1-3-2-------------------------------------| Thats pretty much it, near the end it does the previous part, but without going up to the G5 and F#5 (I Think thats it). This is my first transcription, so please write me with and comments and suggestions at [email protected]. Enjoy :) BODIES From: Trevor Mintz @ SaskPower First off, use what Billy calls 'grunge tuning' (dropped D). Then take that Dropped D and tune it down a half step to a C#. In the last guitar world interview Billy said the whole album was tuned down a half to get a deeper sound. After that, the song is quite easy. Major distortion "Love is suicide...." ----------------------------------------------------------------------| ----------------------------------------------------------------------| ----------------------------------------------------------------------| --3333333333/777777777777\22222222222/333333333-----------------------| --3333333333/777777777777\22222222222/333333333-----------------------| --3333333333/777777777777\22222222222/333333333-----------------------| change #1 "...casualties of their own past...." ----------------------------------------------------------------------| ----------------------------------------------------------------------| ----------------------------------------------------------------------| --2222222222/777777777777\55555555555\222222222-----------------------| --2222222222/777777777777\55555555555\222222222-----------------------| --2222222222/777777777777\55555555555\222222222-----------------------| change #2 "...nobody ..." ----------------------------------------------------------------------| ----------------------------------------------------------------------| ----------------------------------------------------------------------| --5555555555/777777777777\222222222/55555555555-----------------------| --5555555555/777777777777\222222222/55555555555-----------------------| --5555555555/777777777777\222222222/55555555555-----------------------| I can't remember exactly where in the lyrics the changes are but once you listen to the song you'll know where they are & where changes #1 and #2 go. Be patient with my instructions, this is my first posting. Recommendation: use a light pick to get that guitar attack. Cheers to everyone else who has posted tabs. Much appreciated. I'm waiting for help with the rest of the songs off this double album masterpiece. Especially 'To forgive' & 'Jellybelly'. THIRTY-THREE Tabbed by Peter Henderson(Saldek); Oshawa, Ontario, CANADA Special thanks to Rich Santos TUNING Half Step Down-Eb Ab Db Gb Bb Eb Ok well..here's the tab....i think this is how they play it.... There is another guitar part for this..it has some effect on it.. But as you will see..i didn't tab it....Sorry CHORDS: Eb Ab Db Gb Bb Eb C - x 3 2 0 1 0 Dm(no 3rd) - x 0 0 2 3 0 <--reffered to as Dm in the tab G - 3 x 0 0 3 3 V-downstoke ^-upstroke FIGURE 1; FIGURE 2; Eb--3--3--2--2--3--3--3-/-5-5-3--2--- Eb--3--3--2--2--3--3--5-5-5-/-7-5---| Bb--0--0--0--0--0--0--0---0-0-0--0--- Bb--0--0--0--0--0--0--0-0-0---0-0---| Gb--0--0--0--0--0--0--0---0-0-0--0--- Gb--0--0--0--0--0--0--0-0-0---0-0---| Db--0--0--0--0--0--0--0---0-0-0--0--- Db--0--0--0--0--0--0----------------| Ab--X-----------X-------------X------ Ab--x-----------X-------------------| Eb--3-----------3-------------3------ Eb--3-----------3-------------------| V V ^ ^ V V ^ ^ V V V V ^ ^ V V ^ ^ V V FIGURE 3; Eb--3--3--2--2--3--3--5-5-5--3--2---| Bb--3--3--3--3--3--3--3-3-3--3--3---| Gb--0--0--0--0--0--0--0-0-0--0--0---| Db--X--x--------x------------X------| Ab--3--3--------3------------3------| Eb----------------------------------| V V ^ ^ V V ^ V ^ V ^ [Intro] [FIG.1] [FIG.2] [FIG.1] [FIG.2] [C] speak to me in a [Dm] language i can [FIG.1] hear [C] humour me [Dm] before i have to [FIG.1] go [C] deep in thought i [Dm] forgive every - [FIG.1] one as the [C] cluttered streets [Dm] greet me once [FIG.1] again i know i can't be [C] late,[Dm] [FIG.2] supper's waiting on the [C] table [Dm] [FIG.1] tomorrow's just an excuse away [C] [Dm] so i [FIG.2] pull my collar up and face the [C] cold, [Dm] on my own [FIG.1] the [C] earth laughs [Dm] beneath my heavy [FIG.1] feet at the [C] blasphemy in [Dm] my old jangly [FIG.1] walk [C] steeple guide me [Dm] to my heart and [FIG.1] home the [C] sun is out and [Dm] up and down [FIG.3] again i know i'll make it, [FIG.2] love can last forever [FIG.3] graceful swans of never [Dm] topple to the [C] earth and [FIG.1] you can make it [C] last, [Dm] forever you [FIG.2] you can make it [C] last, [Dm] forever you and [FIG.1] you can make it [C] last [Dm] and [C] for a moment i lose myself [Dm] wrapped up in the pleasures of the [FIG.1] world i've [C] journeyed here and [Dm] there and back [FIG.1] again but in the [C] same old haunts i [Dm] still find my [FIG.1] friends [C] mysteries not [Dm] ready to [FIG.1] reveal [C] sympathies i'm [Dm] ready to [FIG.3] return i'll make the effort, [FIG.2] love can last forever [FIG.3] graceful swans of never [Dm] topple to the [C] earth [Dm] tommorrow's just an [C] excuse [Dm] tommorrow's just an [C] excuse and [FIG.1] you can make it [C] last, [Dm] forever you [FIG.2] you can make it [C] last, [Dm] forever you [FIG.1] you can make it [C] last, [Dm] forever you [C] [Dm] forever you [FIG.1] [FIG.2] [FIG.1] end on "G" well..i hope it's right...i think it's pretty close but if anyone sees any mistakes please inform me....any questions or comments are also welcome.... -- | Fidonet: Peter Henderson 1:229/125 | Internet: [email protected] IN THE ARMS OF SLEEP CHORDS: ------ E,B,A : basic position EADGBE A5 : 002200 F# : 244322 G#m: 466444 [Intro] G#m F# G#m F# G#m F# G#m Sleep will not come to this tired body now F# Peace will not come to this lonely heart E A5 G#m E There are some things I live without but I want you to know A5 G#m F# That I need you right now ... I need you tonite --- G#m f# G#m I steal a kiss from her sleeping shadow moves F# Cuz Ill always miss where ever she goes E A5 G#m E and ill always need her more than she could ever need me A5 G#m I need someone to ease my mind B BUT sometimes that someone is SO hard to find A B and Ill do anything to keep her here tonite A B and Ill say anything to make her feel alright A E and Ill be anything to keep her here tonite F# G#m F# cuz I want you to stay.. with me, I need you tonite {NEXT VERSE is like openining verse} a5 G#m SUFFER MY DESIRE a5 G#m SUFFER MY DESIRE a5 G#m E SUFFER MY DESIRE for you {REPEAT TWICE then} .. a5 E a5 E for you I THINK THIS IS FAIRLY CORRECT- PLEASE SEND COMMENTS IF IT HELPED IN ANY WAY!! later- jeff : [email protected] -- Jeff Wolf- GO NC STATE WOLFPACK 1979 Transcribed by Adam Morris 1/2 step down. INTRO/MAIN RIFF |-------------------------------------------------------| |-------------------------------------------------------| |-8--8-8-8-8-9--4-4-4-4-4-4-4---------------------------| |-------------------------------6b-7-4-2-2-2-4-6-9--9-9-| x4 |-6--6-6-6-6-7--2-2-2-2-2-2-2-0-0--0-0-0-0-0-0-0-0--0-0-| |----0---0---0--0-0-0-0-0-0-0---------------------------| Then this once. |-------------------------------------------------------| |-------------------------------------------------------| |11--11-11-11-11-11-4--4-4--4-4-4-----------------------| |-------------------------------------------------------| |-9---9--9--9--9--9\2--2-2--2-2-2-----------------------| |-------------------------------------------------------| Then back to the main riff x 3 (I think it is 3) Then play this. |----------------------------------------------------| |----------------------------------------------------| |----------------------------------------------------| |-4--4-4-4-4--4-9--9-9--9-9-9------------------------| |----------------------------------------------------| |-2--2-2-2-2--2/7--7-7--7-7-7------------------------| Then the part that I think would be called the CHORUS |----------------------------------------------------| |----5--------4--4-4-5--5-5--------------------------| |----4--4-4-4-4--4-4-4--4-4--------------------------| |-6--6--6-6-6-6--6-6-6--6-6---6b-7-4-2-2-2-4-6-9--9-9| x 4 |-7--7--7-7-7-7--7-7-7--7-7-0-0--0-0-0-0-0-0-0-0--0-0| |-0--0--0-0-0-0--0-0-0--0-0--------------------------| *________________________* Through this bit a second guitar plays the higher strings of the E chord just played. Then play this. |----------------------------------------------------| |----------------------------------------------------| |----------------------------------------------------| |-4--4-4-4-4--4-9--9-9--9-9-9------------------------| |----------------------------------------------------| |-2--2-2-2-2--2/7--7-7--7-7-7------------------------| Then back to the VERSE/MAIN RIFF Then to this. Then play this. |----------------------------------------------------| |----------------------------------------------------| |----------------------------------------------------| |-4--4-4-4-4--4-7--7-7--7-7-7------------------------| |----------------------------------------------------| |-2--2-2-2-2--2/5--5-5--5-5-5------------------------| Then back to the CHORUS Then it changes to what I will call the BRIDGE |----------------------------------------------------| |----------------------------------------------------| |----------------------------------------------------| |-9-9-9-9-9-9-9-9-9-9-9-9-9-11-11-11-11-7-7-7-7-7-7-7| |----------------------------------------------------| |-7-7-7-7-7-7-7-7-7-7-7-7-7--9--9--9--9-5-5-5-5-5-5-5| >From thereon in there is no new stuff..so that is it. The song ends on the weird E from the CHORUS I would like to hear some opinions about this please. Bye Adam [email protected] TALE OF A SCORCHED EARTH Transciption by Michael Gartley ------------------------------- Comments: Tune down 1 whole step Billy and James may use different chord voicings, but I think the chords are basically the same. Also, this song is really quick, so its hard to get a good feel for whats being played, but this is what I've been played since I got the disc a few months back. intro (and bridge): e---------------------------------------| b---------------------------------------| g---------------------------------------| d---------------------------------------| a----4-----4-----4-----4---4---4--------| e--0h2-0-0h2-0-0h2-0-0h2-0h2-0h2--------| pre-verse: e-------------------|----------------|-------| b-------------------|----------------|-----2-| g-------------------|----------------|-7---2-| d---9--9-9-12/13-14-|--9--9-9-5/6-7--|-7---2-| a---7--7-7-10/11-12-|--7--7-7-3/4-5--|-5-5-0-| e---0--0-0----------|--0--0-0--------|---3-0-| play 4th time then "Farewell Goodn.." [Pre-Chorus] E G C A inside the future of our shattered pasts [Chorus] (I lie just to be real, and I die just to feel etc.) e---------------------------------------------| b---------------------------------------------| g---------9---------11---------13----------14-| d---------------------------------------------| a---------7---------9----------11----------12-| e-0-0-0-0---0-0-0-0----0-0-0-0-----0-0-0-0----| e---------------------------------------------| b---------------------------------------------| g---------4---------6----------7-----------9--| d---------------------------------------------| a---------2---------4----------5-----------7--| e-0-0-0-0---0-0-0-0----0-0-0-0-----0-0-0-0----| THRU THE EYES OF RUBY Tabbed by Brian McCall Eb tuning Piano intro *1 there are _several_ layered guitars for this G1 slight distortion |---------4----------------5----------------6-------| |-----0-----0---0------0-----0---0------0-----0---0-| |---4--(4)----4------7--(7)----7------6--(4)----6---| |-2----------------5----------------4---------------| |---------------------------------------------------| |---------------------------------------------------| |---------9----------------------------------------| |-----0-----0---0----------------------------------| |---9--(7)----9------------------------------------| |-7------------------------------------------------| |--------------------------------------------------| |--------------------------------------------------| G2 |---------4---------------------------------6-------| |-----0-----0---0------0-------0--------0-----0---0-| |---4--(4)----4------7-------7---7----6--(6)----6---| |-2----------------5-----5----------4---------------| |--------------------------5------------------------| |---------------------------------------------------| |---------9-----------------------------------------| |-----0-----0---0-----------------------------------| |---9--(9)----9-------------------------------------| |-7-------------------------------------------------| |---------------------------------------------------| |---------------------------------------------------| G3 (first time only) Tremolo (fast phasing) |--------------------------------------------------| |--------------------------------------------------| |-3hbr---2hbr--------------------------------------| |--------------------------------------------------| |--------------------------------------------------| |--------------------------------------------------| *2 G1 Distortion |--------------------------------------------------| |-------12-/-19--\-10--14--16-17-----\--12-/-19--\-| |-13~---X----X-----X---X---X--X---------X----X-----| |-X-----9--/-16--\-8---11--13-14-----\--9--/-16--\-| |-11~----------------------------------------------| |-0------------------------------------------------| |--------------------------------------------------| |-10--14-------------------------------------------| |-X---X--------------------------------------------| |-8---11-------------------------------------------| |--------------------------------------------------| |--------------------------------------------------| G2 Distortion |-0-------------------------------------------------| |-0-------------------------------------------------| |-1-------------------------------------------------| |-2-----5--/-12--\-4---7---9--2---------5--/-12---\-| |-2-----5--/-12--\-4---7---9--2---------5--/-12---\-| |-0-----3--/-10--\-2---5---7--0---------3--/-10---\-| |-----------------------------------------------------| |-----------------------------------------------------| |-----------------------------------------------------| |-4---7-----------------------------------------------| |-4---7-----------------------------------------------| |-2---5-----------------------------------------------| *3 G1 Phasing |---------4----------------5----------------6-------| |-----0-----0---0------0-----0---0------0-----0---0-| |---4--(4)----4------7--(7)----7------6--(4)----6---| |-2----------------5----------------4---------------| |---------------------------------------------------| |---------------------------------------------------| |---------9----------------------------------------| |-----0-----0---0----------------------------------| |---9--(7)----9------------------------------------| |-7------------------------------------------------| |--------------------------------------------------| |--------------------------------------------------| G2 Clean |---------4---------------------------------6-------| |-----0-----0---0------0-------0--------0-----0---0-| |---4--(4)----4------7-------7---7----6--(6)----6---| |-2----------------5-----5----------4---------------| |--------------------------5------------------------| |---------------------------------------------------| |---------9-----------------------------------------| |-----0-----0---0-----------------------------------| |---9--(9)----9-------------------------------------| |-7-------------------------------------------------| |---------------------------------------------------| |---------------------------------------------------| I strongly believe that the phaser used is the Mu-tron Bi-phase. They've used it before and mine can mimic this sound exactly. For those who have one, here's my settings: Phasor A only, Sweep: just below 2, Depth: 7, Feedback: 7.5 *4 ("Breathing Underwater....") G1 (still phased) |---------7---------------7-----------------11--------| |-----0-----0---0-----0-----0---0------0-------0----0-| |---7---7-----7-----7---7-----7-----11---11------11---| |-5---------------5---------------9-------------------| |-----------------------------------------------------| |-----------------------------------------------------| |-----------11-10-9-8-7-------7---------------7-------| |------0------------------0-----0---0-----0-----0---0-| |---11---11-------------7---7-----7-----7---7-----7---| |-9-------------------5---------------5---------------| |-----------------------------------------------------| |-----------------------------------------------------| ^don't ask. (overdub maybe?) G2 (tremolo phasing) |-7-------------------------------11------------------| |-0-------------------------------0-------------------| |-7-------------------------------11------------------| |-5-------------------------------9-------------------| |-----------------------------------------------------| |-----------------------------------------------------| ^strummed ^strum slow slowly (think "Soma") |-7---------------------------------------------------| |-0---------------------------------------------------| |-7---------------------------------------------------| |-5---------------------------------------------------| |-----------------------------------------------------| |-----------------------------------------------------| *5 ("And if you spin...") G1 |-----------11-------------------10-------------------| |------0-------0----0-------0-------0----0------------| |---11---11------11------11---11------11--------------| |-9-------------------12------------------------------| |-----------------------------------------------------| |-----------------------------------------------------| |---------9---------------7---------------------------| |-----0-----0---0-----0-----0---0---------------------| |---9---9-----9-----7---7-----7-----------------------| |-7---------------5-----------------------------------| |-----------------------------------------------------| |-----------------------------------------------------| G2 Tremolo phasing (gets one whole chord in on this part!) |-11--------------------------------------------------| |-0---------------------------------------------------| |-11--------------------------------------------------| |-9---------------------------------------------------| |-----------------------------------------------------| |-----------------------------------------------------| G3 (Lead fill. Can't tell if it's clean or chorus or slight distortion or what...) |-------------------------------------------|---------| |-----------7------8---(12)/14--12----------|---------| |-(12)\-6h8---9h11-----------------14-11--12|-11------| |-------------------------------------------|---------| |-------------------------------------------|---------| |-------------------------------------------|---------| ^last time only *6 G1 Distortion (brighter than G2) |------------------------------------------------------| |------------------------------------------------------| |------------------------------------------------------| |-----------------------------2-----5--/-12--\-4---7-9-| |-----------------------------2-----5--/-12--\-4---7-9-| |-----------------------------0-----3--/-10--\-2---5-7-| G2 Distortion |------------------------------------------------------| |------------------------------------------------------| |------------------------------------------------------| |-2-----5--/-12--\-4---7---9--2-----5--/-12--\-4---7-9-| |-2-----5--/-12--\-4---7---9--2-----5--/-12--\-4---7-9-| |-0-----3--/-10--\-2---5---7--0-----3--/-10--\-2---5-7-| G3 Distortion (Lead Fill) |------------------------------------7--6--9--12--14b-| |--------------------------------7--5-----------------| |-----------------------------------------------------| |-----------------------------------------------------| |-----------------------------------------------------| |-----------------------------------------------------| *7 G1 |-----------------------------------------------------| |-----------------------------------------------------| |-----------------------------------------------------| |-9---7-/-12-\-5-5-5----------------------------------| |-9---7-/-12-\-5-5-5----------------------------------| |-7---5-/-10-\-3-3-3...-------------------------------| STUMBLEINE tabbed by Peter Henderson(SALDEK); Oshawa, Ontario, CANADA TUNING: E A C F B E w/ capo first fret Well this song took me forever to tab...but here it is...and as correct as i could get it... **TAB IS RELATIVE TO THE CAPO!!** / - slide FIG. 1 FIG. 2 E-| |-----------------------------------|--------------------------------| B-|C|-5--------5--------6-------5-------|--------------------------------| F-|A|-----0------0----------0-------0---|--------------------------------| C-|P|---0----------0------0---0---0-----|-----0-----0---------0-------0--| A-|O|-7-----7--------7--8-------7-----7-|---7-----7-----7---7-------5----| E-| |-----------------------------------|-5-----5-----5---5-----0-3------| FIG. 3 (for 3* cut off at the point marked with ** below!!) E-| |--------------------------------------------------------------------| B-|C|--------------------------------------------------------------------| F-|A|--------------------------------------------------------------------| C-|P|-----0-----0---------0-------0-------0-----0---------0-----0--------| A-|O|---7-----7-----7---7-------5-------3-----3-----3---5-----5-----5----| E-| |-5-----5-----5---5-----5-3-----0-1-----1-----1---3-----3-----3------| E-| |------------------------------------------------*-------------------| B-|C|------------------------------------------------*-------------------| F-|A|------------------------------------------------*-------------------| C-|P|-----0-----0---------0-----0----------0-----0---*----0-----0--------| A-|O|---8-----8-----8---3-----3-----3----5-----5----5*--7-----7-----7----| E-| |-6-----6-----6---1-----1-----1----3-----3----3--*5-----5-----5------| FIG. 4 E-| |--------------------------------------------------------------------| B-|C|--------------------------------------------------------------------| F-|A|--------------------------------------------------------------------| C-|P|-----0-----0---------0-------0-------0-----0---------0-----0--------| A-|O|---7-----7-----7---7-------5-------3-----3-----3---5-----5-----5----| E-| |-5-----5-----5---5-----5-3-----0-1-----1-----1---3-----3-----3------| E-| |--------------------------------------------------------------------| B-|C|--------------------------------------------------------------------| F-|A|-----------------------------------------------------0-----0--------| C-|P|-----0-----0---------0-----0----------0-----0-----------------------| A-|O|---8-----8-----8---3-----3-----3----5-----5----5---7-----7---7-/----| E-| |-6-----6-----6---1-----1-----1----3-----3----3---5-----5-----5-/----| Fig. 5 E-| |-----------------------------------|---------------------------------| B-|C|----------------------------------:|---------------------------------| F-|A|----------------------0-----0------|-----0-----0--------0-----0------| C-|P|------0-------0--------------------|---------------------------------| A-|O|---10-------5-------3-----3---3-/-:|---8-----8-----8---3-----3---3---| E-| |-8------0-3-----0-1-----1-----1-/--|-6-----6-----6---1-----1-----1---| Fig. 6 E-| |--------------------------------| B-|C|--------------------------------| F-|A|--------------------------------| C-|P|-----------------------------0--| A-|O|-7~~~----------------5~----5----| E-| |-5~~~----------------3~--3------| FIG. 7 E-| |----------------------------------------------------------------0--| B-|C|-5--------5--------6-------5------------------------------------0--| F-|A|-----0------0----------0-------0--------------0---0-------------0--| C-|P|---0----------0------0---0---0----------0---------------0-------0--| A-|O|-7-----7--------7--8-------7-----7----7-----7---------7-------5----| E-| |------------------------------------5-----5-----5---5-----5-3------| (1) (2) (1) boredoms in the bathroom shaking out the loose teeth (2) (1) sally's in the stirrups claiming her own destiny (3) and nobody nowhere understands anything about me and all my dreams (1) lost at sea (2) (1) jack it up judy set your heart alight (2) (1) mayfair mistress of the satellites (4) misspent youth- faking up a rampage to hold off the real slaves paid off and staid (5) and what you never knew can never get to you so fake it (5) i'll be your stumbeline i'll be your super queen and make you (6) (1) jukebox fuckup hanging round the drugstore (2) (1) no matter what you say he'll be back for more (2) (1) mommy's in the manger with the little kids (3*) she's got her reasons, got my forgets of tears and idle threats misplaced (5) and no matter what they do they can't get to you so fake it (5) i'll be your stumbeline i'll be your super queen (2) (1) and make you me (7) come around ruby i could never sleep alone Well we've reached the end of another tab..as always , your comments, corrections, and questions are welcome... -- | Fidonet: Peter Henderson 1:229/125 | Internet: [email protected] X.Y.U. Tabbed by Brian McCall Eb tuning [Intro] |------------------------------------------------| |------------------------------------------------| |-15~---------------11~--------------------------| |-X-----------------X----------------------------| |-13~---------------9~---------------------------| |----0-0-0-0-0-0-0----0-0-0-0-0-0-0--------------| *1 more distortion |------------------------------------------------| |------------------------------------------------| |-15~---------------11~--------------------------| |-X-----------------X----------------------------| |-13~---------------9~---------------------------| |----0-0-0-0-0-0-0----0-0-0-0-0-0-0--------------| |-------------------------------------------------| |-------------------------------------------------| |-15~---------------11~-------11/12-12-14---------| |-X-----------------X---------X-----X--X----------| |-13~---------------9~--------9-/10-10-12---------| |----0-0-0-0-0-0-0----0-0-0-----------------------| *2 |-----------------------------------------------| |-----------------------------------------------| |-11---------------11---------------------------| |-X----------------X----------------------------| |-9----------------9----------------------------| |----0-0-0-0-0-0-0----0-0-0-0-0-0-0-------------| ^repeat |----------------------------------------------| |----------------------------------------------| |-11---------------11-------11/12-12-11--------| |-X----------------X--------X-----X--X---------| |-9----------------9--------9-/10-10-9---------| |----0-0-0-0-0-0-0----0-0-0--------------------| Well, based on those two octaves the rest is pretty easy to figure out (if you can't then you don't deserve to own that guitar!! :P'). WE ONLY COME OUT AT NIGHT Tabbed by [email protected] and [email protected] Tuning: Standard w/ capo on 5 or Eb w/ capo on 6 The chords are written as the shape they are played as, not what they actually are note wise Intro: D Am G D Am G D Am C D Am G D Am G We only come out at night D Am G We only come out at night D Am C The days are much to bright D Am G G7 We only come out at night C Em C Em G D Am and once again, you'll pretend to know me well, my friends C Em C Em G D and once again, i'll pretend to know the way Am G thru the empty space Am G D C Em thru the secret places of the heart D Am G We only come out at night D Am G We only come out at night D Am C The days are much to bright D Am G G7 We only come out at night C Em C Em G D Am i walk alone, i walk alone to find the way home C Em C Em G D i'm on my own, i'm on my own to see the ways Am G Am G that i can 't help the days, you will make it home o.k. D C Em i know you can, and you can D Am G We only come out at night D Am G We only come out at night D Am C The days are much to bright D Am G G7 We only come out at night C Em Bm C D and once again, you'll pretend to know that C Em Bm C D G that there's an end, that there's an end to this begin Am G it will help you sleep at night Am G D C it will make it seem that right is always right Em alright D Am G We only come out at night D Am G We only come out at night D Am C The days are much to bright D Am G G7 G ...fade... We only come out at night I did this b/c the other tabs had the right notes but the wrong octaves. With the capo it sounds right to me. Thanx to [email protected] for doing the transcription that i based this off of (you did the hard part). I just rearranged it a bit. [email protected] BEAUTIFUL As tabbed by Jonathan Blanks ([email protected]) This song is actuall in standard tuning, but since your playing with Mellon Collie which 1/2 step down just capo the first fret. NOTE: chords show as what they look like ie."A" but it's relly "Ab" INTRO (drums and piano) piano for guitar e--0--2----- >repeat however many times necessary B--------2-- > *tab goes along with an "A" chord [A] [G] [D/F# *] [A] Beautiful, you're beautiful, as beautiful as the sun [A] [G] [D/F# *] [E] Wonderful, you're wonderful, as wonderful as they come [A] [E] [D] And I can't help but feel attached [D/F# **][A] [E] [D] To the feelings I can't even match [D/F# **][A] [E] [D] With my face pressed up to the glass [E] [G] wanting you VERSE 2 same as verse 1 [Chorus] [D] [E] [A] [F#m] And I'm sure you know me well [D] [E] [A] As I'm sure you don't [D] [E] [A] [F#m] But you just can't tell [D] [E] [A] [F#m] Who you love and who you won't no,no [D] [E] [A] Who you love and who you won't the [A] continues over to when the guitar leads come in [A] [G] [D] [F] [A] And I love you [A] [G] [D] [F] [A] As you love me [A] [G] [D] [F] NA NA-NA NA NA NA-NA-NA [A] [G] [D] [F] NA............................ [A] [G] [D] [F] [A] So let the clouds roll by your face [A] [G] [D] [F] [A] we'll let the world spin on to another place [A] [G] [D] [F] [A] we'll climb the tallest tree above it all [A] [G] [D] [E] to look down on you and me and them CHORUS (same as first chorus) END (same as chorus, but I'll do it anyway) [D] [E] [A] [F#m] Don't let your life wrap up a-round you [D] [E] [A] [F#m] Don't forget to call whenever [D] [E] [A] [F#m] I'll here just waiting for you [D] [E] [A] [F#m] I'll be under your stars forever, neither [D] [E] [A] [F#m] here nor there just right beside you .......you got it.... Well what do you think, it's my first submission! E-mail me if you have any comments!! ENJOY. CHORD VOICINGS for the D/F#'s 0=open D/F# * D/F# ** E A D G B e E A D G B e 2-0-0-2-3-X X-X-4-2-3-2 LILY (MY ONE AND ONLY) AS TABBED BY: JONATHAN BLANKS ([email protected]) Tuning 1/2 step down (as if I really need to say that) [Intro] G Am [Verse] G Am Lily, my one and only G Am I can hardly wait til I see her G Am Silly I know I'm silly Bm (lead fig 1) Cause I'm hanging in this tree Am D (I think) In the hopes that she will catch a glimpse of.. G Am C ..me and thru her window.. G Am C ..shade (shade) I watch her shadow.. G Am C ..moooo-ooove I wonder if she..... VERSE 2 (same as verse 1) except lead fig 2 over wher fig1 was and at the end... G Am C Am ..moooo-ove I wonder if she could only see me? Bm Am When I'm with her I feel fine (fine fine fine) Bm Am If I could kiss her I wouldn't mind the time D (I think) It took to find my... G ..Lily.. (same as verse) Bm Cause as they're dragging me away Am D (I think) G strum G slowly backwards I swear I saw her raise her hand and wave........GOODBYE lead fig 1 lead fig 2 e --------- e ---------| B --3\5-3~~ B --7h8p7--| (I think) There you go. ENJOY By the way this song is about a peeping tom--looking thru windows, hanging in trees, being taken away by the police...... :) Please e-mail comments! Thanx BY STARLIGHT Transcribed by Adam Morris Tuning: 1/2 step down Here is another tab from MCIS! CHORDS USED: E A D G B E C# x 4 6 6 6 4 G#m 4 6 6 4 4 x F# 2 4 4 3 2 2 D#5 x 6 8 8 x x G#(i) 4 3 x 5 x x <---Keep an eye on this chord when it comes up.. Bb5 6 8 8 x x x If you play a normal G# it will sound terrible!! G#(ii) 4 6 6 x x x BEFORE PLAYING, MAKE SURE YOU CHECK THE CHORDS USED The C# is played as a single string pattern most of the time. In the verses the C# is played: ---------| -------6-| -----6---| -6-------| -4-------| ---------| INTRO: C# G#m F# C# by starlight i'll kiss you G#m F# C# and promise to be your one and only i'll make you feel happy G#m F# C# and leave you to be lost in mine G#m F# and where will we go, what will we do? D#5 G#(i) C# soon said i, will know (lead fill 1) G#m F# C# and are you just like me? G#m F# D#5 dead eyes, dead eyes, are you just like me? Bb5 G#(ii) D#5 F# her eyes, her eyes were as vacant as the seas C# G#m F# dead eyes, are you just like me? D#5 G#(i) C# F# and all along, we knew we'd carry on D#5 G#(i) (play 2nd fret on the B string here) just to belong C# G#m F# (play 3rd fret on the G string here) C# by starlight i know you G#m F# C# (lead fill 2) as lovely as a wish granted true G#m F# (lead fill 3 over the top) my life has been empty, my life has been untrue (of this line) D#5 G#(i) C# F# and does she really know, who i really am? D#5 G#(i) C# (lead fill 1) does she really know me at last G#m F# C# are you just like me? G#m F# D#5 dead eyes, dead eyes, are you just like me? Bb5 G#(ii) D#5 F# C# her eyes, her eyes were as vacant as the seas G#m F# D#5 C# dead eyes, dead eyes, are you just like me? G#m F# C# are you just like me? LEAD FILL 1 (1/2) ---------------------------------------| -6/9~~~----6/9~~--11-9-7-6b------------| -----------------------------6---------| ---------------------------------------| ---------------------------------------| ---------------------------------------| LEAD FILL 2 ---------------------------------------| --4--6/7\6--4--6~~~~-------------------| ---------------------------------------| ---------------------------------------| ---------------------------------------| ---------------------------------------| LEAD FILL 3 -------4--------------------2----------| --4-----------4-------------4-x--------| -----5---------------------------------| ---------------------------------------| ---------------------------------------| ---------------------------------------| That is about it. There is a bit of lead in the outro that I left out, but other than that most of it is here. I am fairly proud of my efforts with this TAB so any comments would be greatly appreciated. [email protected] Adam Morris FAREWELL AND GOODNIGHT Tabbed by Justin Kunz, [email protected] Tune down 1/2 step (suprise!) Last track of the whole thing, and one of my favorites. Isn't D'Arcy's voice beautiful? Here's how I play it: no pick just finger strumming, and muffled chords like these: C x32x1x F x3321x G 3x0033 D xxx23x C F Goodnight, to every little hour that you sleep tite C May it hold you through the winter of a long night G F And keep you from the loneliness, of yourself C Heart strung is your heart frayed and empty F Cause it's, hard luck, when no understands your love C It's unsung, and I say C D F G Goodnight, my love, to every hour in every day C D F G Goodnight, always, to all that's pure that's in your heart C F Goodnight, may your dreams be so happy and your C Head lite with wishes of a sandman and a night light F Be careful not to let the bedbugs sleep tight nestled in your covers C F D F The sun shines but I don't C F D F A silver rain will wash away C F F D The sun shines but I don't C F D G A silver rain will wash away F C D And you can tell, it's just as well F C D And you can tell, it's just as well C D F G Goodnight, my love, to every hour in every day C D F G Goodnight, always, to all that's pure, that's in your heart ************************************ | x Dead note | b Bend | p Pull-off | / Slide up | \ Slide down | h Hammer-on | ~ Vibrato | (n) Ghost note | r Release ************************************
Melon Collie And The Infinite Sadness album
音乐人: The Smashing Pumpkins
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