Ratchet And Clank Going Commando - Todano Piece 1

Todano piece 1
David Bergeaud
Ratchet & Clank: Going Commando soundtrack


Tabbed by Tiku-Orava.


This tab includes all guitar parts of the piece except for one, extremely low-volume 
guitar fill riff at the end of the piece.

Played in standard tuning.

-----------------------------------------------------------------------

Intro - 0:07 (Use clean channel with delay, reverb and a bit of tremolo effects to 
achieve the right tone)

|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|
|1-1-1-1-1-1-1-1-|2-2-2-2-2-2-4-4-|1-1-1-1-1-1-1-1-|2-2-2-5-5-3-3-2-|

|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|
|1-1-1-1-1-1-1-1-|2-2-2-2-2-4-4-4-|1-1-1-1-1-1-1-1-|2-2-5-5-4-4-2-2-|

Main Riff (2x)

|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|
|----3-3-2-2-----|----------------|----3-3-2-2-----|----------------|
|1-1---------1-1-|2-2-2-2-2-4-4-2-|1-1---------1-1-|2-2-2-4-4-5-5-4-|

|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|
|----3-3-2-2-----|----------------|----3-3-2-2-----|----------------|
|1-1---------1-1-|2-2-2-2-2-4-4-2-|1-1---------1-1-|2-2-2-5-5-4-4-2-|

Break* - O:49 (Played with very low amount of distortion and very light palm muting)

|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|
|3-3-3-3-3-3-3-3-|4-4-4-4-4-4-4-4-|3-3-3-3-3-3-3-3-|3/4-4/6-6/4-4/3-|
|1-1-1-1-1-1-1-1-|2-2-2-2-2-2-2-2-|1-1-1-1-1-1-1-1-|1/2-2/4-4/2-2/1-|
   . .   . .   .    .   .     .      . .   . .   .

|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|
|3-3-3-3-3-3-3-3-|4-4-4-4-4-4-4-4-|3-3-3-3-3-3-3-3-|4---------------|
|1-1-1-1-1-1-1-1-|2-2-2-2-2-2-2-2-|1-1-1-1-1-1-1-1-|2---------------|
   . .   . .   .    .   .     .      . .   . .   .

|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|
|3-3-3-3-3-3-3-3-|4-4-4-4-4-4-4-4-|3-3-3-3-3-3-3-3-|3/4-4/6-6/4-4/3-|
|1-1-1-1-1-1-1-1-|2-2-2-2-2-2-2-2-|1-1-1-1-1-1-1-1-|1/2-2/4-4/2-2/1-|
   . .   . .   .    .   .     .      . .   . .   .
|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|
|3-3-3-3-3-3-3-3-|4-4-4-4-4-4-4-4-|3-3-3-3-3-3-3-3-|3/4-4/6-6/4-4/3-|
|1-1-1-1-1-1-1-1-|2-2-2-2-2-2-2-2-|1-1-1-1-1-1-1-1-|1/2-2/4-4/2-2/1-|
   . .   . .   .              . .    . .   . .   .


*This part is almost impossible to hear 100% correctly because of the low volume 
combined with some distortion effects and mixing.

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