Title: Juke Joint Jezebel
Artist: KMFDM
Album: Nihil
Year: 1995
tuning: standard
tempo: 128.881 BPM
meter: common time (4/4)
tab by mcpancakes
Let me know via comment if you see any errors, thanks!
Pre-chorus ("feel the emptiness inSIDEEEE"). There might be some pinch
harmonics in use here on some of those fret 7 notes, I can't quite tell.
e|------------------------------------------|
B|-----------------------------7------------|
G|--9-----X X-10-----7-----(7)----7---------|
D|--9-----X-x-10-----7---------------7-6~---| x2
A|--7-----X-x--8-----5----------------------|
E|------------------------------------------|
Chorus
Alternate between the first and second ending.
e|--------------------------------------------------------|
B|--------------------------------------------------------|
G|--9-------------------------------------7---------------|
D|--9-------------------------------------6---------------|
A|--7---------------5p4--------5p4------------------------| x8
E|------0--0--0--0-------0--0-------0--0------0--0--0--0--|
| x x x x x x x x x x x x |
ending 1 ending 2
e|------------------------|------------------------|
b|------------------------|------------------------|
G|------------------------|------------------------|
D|------------------------|--6p4-------------------|
A|--5h7--------7h8--------|-------------5h7--------|
E|-------0--0-------0--0--|-------0--0-------0--0--|
| x x x x | x x x x |
Post-chorus riff 1. This is a single bar of 6/4. Listen to the song to get
rhythm, it's pretty unusual.
e|-----------------------|
B|-----------------------|
G|-----------------------|
D|--2---5---4---6--5/7---|
A|--2---5---4---6--5/7---|
E|--0---3---2---4--3/5---|
Post-chorus riff 2 (2:56). This is just two bars of 4/4, played twice.
e|----------------------------------------------|
B|----------------------------------------------|
G|----------------------------------------------|
D|--------5/9-----5/8--------5/7-----------5\4--|
A|--------5/9-----5/8--------5/7-----------5\4--| x2
E|--0--0--3/7--0--3/6--0--0--3/5--0--0--0--3\2--|
x x x x x x x x |
Verse riff (3:26), x4. And here we evidence the bane of tablature, i.e.
the inability to tab out rhythm easily. I tried to help it by placing
the subdivions of the beat above the staff. The only difference between
the two measures is the notes of the last beat of each.
1 & a 2 & a e a 4 e & a 1 & a 2 & a e a 4 e & a
e|-------------------------------------|------------------------------------|
B|-------------------------------------|------------------------------------|
G|-------------------------------------|------------------------------------|
D|-------------------------------------|--------------------------7p5-------|
E|--0---0-0---0---0-0--0--0--0-0-0-0---|--0---0-0---0---0-0--0--0-----7-5---|
x x x x x x x x x x x x x x x x x x x x x x |
Near-end riff (4:57).
e|-------------------------------------------------------------------|
B|-------------------------------------------------------------------|
G|-------------------------------------------------------------------|
D|-----5/9-----5/8-----5/7--------5-/9-----5/8-----5/7----------5\4--|
A|-----5/9-----5/8-----5/7--------5-/9-----5/8-----5/7----------5\4--|
E|--0--3/7--0--3/6--0--3/5--0--0--3-/7--0--3/6--0--3/5--0-0--0--3\2--|
x x x x x x x x x x |
structure:
Intro (16 bars)
Pre-verse 1 riff (1 bar)
Verse 1 (16 bars)
Pre-chorus (8 bars)
Chorus (16 bars)
Post-chorus riff 1 (1 bar of 6/4)
Break (4 bars)
Verse 2 (8 bars)
Pre-chorus (8 bars)
Chorus (16 bars)
Post-chorus riff 2 (4 bars)
Break (4 + 8 bars)
Verse 3 w/ verse riff (8 bars)
Pre-chorus (8 bars)
Chorus w/ chorus phrase thrice instead of twice (24 bars)
Break (1 + 8 bars)
Near-end riff (3 bars)
Chorus (16 bars)
Outro riff (4 bars)
