#----------------------------------PLEASE NOTE---------------------------------# #This file is the author's own work and represents their interpretation of the # #song. You may only use this file for private study, scholarship, or research. # #------------------------------------------------------------------------------# JUST THE SAME based of Phil Keaggy's performance at Wheaton College. Acoustic Gtr (D A D G B E) or 1 half-step down from that main riff A G F D repeat |-5-------5-------------------------5---3-----------2-------------| |-5h7p5---5h7p5---------------------5---3-----------3-------------| |-------7-------7-7---------7-------5---4-----------2-------------| |-----------------7h9p7-7---7-------5---5---3---0---0-------------| |-----------------------7h9---9p7s5-7---5---3---0-----------0-2-5-| |-----------------------------------7---5---3---0-------3-4-------| alternate ending riff |---------------------------------| |---------------------------------| |-----------------0h2p0---0-------| |-----------0-3-4-------3-------0-| |-----0-2-3-----------------3s5---| |-3-4-----------------------------| verse. I included an example of a hammer on that might take place in the first chord. |-5---5-5---3-----------2---|---------------------2-| |-5---5-5---3-----------3---|-----1---3-----------3-| |-5---5-5---4-----------2---|-----0---0---3---5---2-| |-5---5-5---x---3---0---0---|-----2---0---3---5---0-| |-7---5h7---5---3---0-------|-0h2-3---2---1---3-----| |-7---5h7---5---3---0-------|-----------------------| |-5---4---3---2-------------------2-------------|-5-------5-------------------------| |-6---5---4---3---1---3-----------3-------------|-5h7p5---5h7p5---------------------| |-5---4---3---2---0---0---3---5---2-------------|-------7-------7-7---------7-------| |-0---0---0---0---2---0---3---5---0-------------|-----------------7h9p7-7---7-------| |-----------------3---2---1---3-----------0-2-5-|-----------------------7h9---9p7s5-| |-------------------------------------3-4-------|-----------------------------------| Chorus |-0---3-----------2-----------5-------5--------------------------| |-1---3-----------3-----------5h7p5---5h7p5----------------------| |-2---4-----------2-----------------7-------7-7---------7--------| |-2---x---3---0---0---------------------------7h9p7-7---7--------| |-0---5---3---0---------0-2-5-----------------------7h9---9p7s5--| |-----5---3---0-----3-4------------------------------------------| Phil uses an odd technique for this chord progression. He uses his index finger to hit the C in the first chord, then the usual fingering for D7 after that, the G is brought out by using his pinky on the fifth fret. |-------------------0----| |-3-3---3---3-3-----1----| |-5-5---0---5-5-----0----| |-3h4---5---3h4-----2----| |-5-5---5---5-5-----0----| |------------------------| Any other solos or riffs are improvised in D minor Tablature Legend ---------------- h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (if no number after the r, then release immediately) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash Misc Legend ----------- | - bar || - double bar ||o - repeat start o|| - repeat end *| - double bar (ending) : - bar (freetime) $ - Segno & - Coda Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths ** Generated using Power Tab Editor by Brad Larsen: The Official Power Tab Web Site
