Thought there was no really accurate chords on this, so I thought I would upload one after listening to it and
trying to match it through trial and error.
Here are the chords below, F#m7add4 isn't the most comfortable chord to play so an easier chord is A6sus2/F#
which sounds very similar since the only note that's missing in the A6sus2/F# is C#, it will sound a little
more major compared to the F#m7add4, but if you prefer it or just can't play F#m7add4, it's a good substitute.
D2 A2 E F#m7add4 (A6sus2/F#) C#7 Bm7 C#m7 G A2/E DM7 DM7b5 AM7
e|--0------0------0------0---------0----------------2-----4------2-----0------2-----2-------0-----|
B|--3------0------0------0---------0----------2-----3-----5------2-----0------2-----2-------2-----|
G|--2------2------1------2---------2----------4-----2-----4------0-----2------2-----1-------1-----|
D|--0------2------2------4---------2----------3-----4-----6------0-----2------0-----0-------2-----|
A|---------0------2------4---------0----------4-----2-----4------2-----0--------------------0-----|
E|----------------0------2---------2-----------------------------3-----0--------------------------|
The intro and first verse is plucked not strummed. You just have to play the bass note first then 3rd string(G)
2nd string(B) then 1st string(e), the e is held until the next chord. Some may not know what bass notes are,
it's pretty important so you might wanna go learn that first. The theory of bass note is really easy, it is
literally the note of the chord in which is played first and lowest.
The bass note of D2 is D, A2 is A, E is E,
F#madd4 is F# etc, remember the bass note is the lowest and usually first note plucked.
Depending on what shape you hold, has a string which is almost always the bass note for example when
playing an A chord, the bass note
is always the 5th string(A), so even if you play a bar chord B, it is still the same shape as an A so its bass
note is still the 5th string unless the bass note is changed e.g. A2/E, its bass note is E so its bass note
will be the 6th string.
REMEMBER THIS IS ALL ON CAPO 1 e.g. Bm7 will be Cm7 and C#m7 will be Dm7 without capo, but because bar chords
are bar chords, you will still be playing Bm7 as Cm7 and C#m7 as Dm7.
I personally think writing in romanized lyrics is pretty useless and can't be bothered doing both, if it's any
help hangul (Korean language) is made so that each "letter" e.g 어 or 떤 are one syllables each. To be honest
it should not really affect you in your learning the chords of the songs because you should really play with
the music to make sure you have the write chords and rhythm, if you want to learn the lyrics and do both,
you'll end up having to memorize either the lyrics or chords anyways so either memorize the chords then sing
the song reading romanized lyrics from another site or just memorize the lyrics and look at the chords here,
I personally think memorizing the chords is easier, but do what is easiest for you.
Feel free to substitute other chords if you think it sounds better or just feel like making the song more your
own. Enjoy!!
Evening Sky (저녁 하늘) - Ailee
Capo 1
Intro: D2 A2 E F#m7add4 x2
Verse 1
D2 A2 E F#m7add4
어떤 날에는 저녁 하늘을 못 올려보는 습관이 있어
D2 A2 E F#m7add4
온 세상이 날 떠나는 듯한 이상한 그 기분이 싫어
D2 A2 E F#m7add4
멀리 떨어지는 저 해는 내일 다시 올 텐데
D2 A2 E F#m7add4
나를 비춰줬던 햇살은 아닐 것 같아
Chrous 1
D2 A2
니가 가도 사랑은 다시 오고 소란스런 이별을 겪어봐도
E F#m7add4
이렇게 너는 너는 너는 자꾸 맘에 걸려
D2 A2
가끔씩은 좋아서 웃긴 하고 더 가끔씩은 행복의 맛을 봐도
C#7 D2
아직도 너는 너는 너는 deep in me
Verse 2
D2 A2 E F#m7add4
누군가에게 맘을 줄 때면 반을 남기는 습관이 있어
D2 A2 E F#m7add4
다 줘버리면 떠날 것 같은 이상한 그 예감이 싫어
D2 A2 E F#m7add4
반쯤 아껴둔 이 맘 누구 줄 수조차 없는데
D2 A2 E F#m7add4
반쯤 고장 나버린 나를 들키긴 싫어
Chorus 1
D2 A2
니가 가도 사랑은 다시 오고 소란스런 이별을 겪어봐도
E F#m7add4
이렇게 너는 너는 너는 자꾸 맘에 걸려
D2 A2
가끔씩은 좋아서 웃긴 하고 더 가끔씩은 행복의 맛을 봐도
C#7 D2
아직도 너는 너는 너는 deep in me
Bridge
Bm7 C#m7 D2 E A2 (E/G#)
너의 맘은 어디쯤일까 나를 맴돈 적은 있을까 나처럼 아주 가끔
D2 E C#m7 F#m7 Bm7 G E
시간이라는게 다 지우지는 못 하나봐 아직도 네 이름은 편히 말하질 못해
Chorus 2
D2 A2
니가 아닌 누군가 나를 안고 내가 아닌 누군가 너를 안고
E F#m7add4
이렇게 오래 오래 오래 나날들이 가도
D2 A2
하지 못한 말들이 입에 남아 다 주지 못한 사랑이 맘에 남아
C#7 D2
어쩌면 너는 너는 너는 still in me
Outro
F#m7 D2 A2/E E
F#m7 D2 Bm7 DM7 DM7b5 AM7
