4/4 signature tempo about 107-109 bpm Intro/chorus riff is based on octaves, so mute D string. Standard Tuning (eBGDAE) That's the way I play it: e---------------------------------------------------------------| B---------------------------------------------------------------| G--4--4-4/9-9-9-9-9/4--4-4/7-7-7/12b14/4--4-4/6-7----------/4---| D--x--x-x/x-x-x-x-x/x--x-x/x-x-x/xx-xx/x--x-x/x-x----------/x---| A--2--2-2/7-7-7-7-7/2--2-2/5-5-5/10b12/2--2-2/4-5---------/-2---| E---------------------------------------------------------------| NOTE: to provide really Whig-esque "wall of sound" you can play empty E string during the whole riff Tabbing that b-minor lick by ear really loomed large in my mind, because it seems that although the time signature during the verses is 4/4, it's played in a very sophisticated way. I think it's something like that, but rather it's not 100% correct. During live performances McCollum plays it like that: |-2-2-2--2--2-2-2-2-2-2| |-3-3-3--3--2-2-3-2-2-3| |-4-2-4--4--4-4-4-4-4-4| |-4-4-4--4--4-4-4-4-4-4| |-2-2-2--2--2-2-2-4-4-4| |----------------------| Solo is also played over this riff. It is in b minor pentatonic, with wah-wah effect and some bendings. Start with B on 9th fret of D string. Two chords just before chorus (or other variations of G and F#): |---------| |---------| |---------| |---4--4--| |---4--4--| |---x--x--| |---3--2--| Bridge/Outro - start on C, then this pattern D/F#, G, C |---------------------------| |---------------------------| |---------------0-4b5r4b5r4-| |-----0------0--2-----------| |---0------2----3-----------| |-2------3------------------| Dulli only plays b-minor chord variations during all the song, so his part is not very complicated.
